I know, I know, I know. For whatever reason, being a nurse has turned me into a bad blogger; honestly, I deal with so much at work, that I don’t really want to deal with doing much on my days off other than just relax. That being said, I have wanted to write this post for nearly 5 months now, and goddammit, I am going to do it. I made a promise to the few of you that still read this old blog, and I promised myself. There were some AMAZING albums released last year, and I wouldn’t feel right not sharing my love for them, like I’ve been doing for several years. So… while this may be late, and it may be way overdue, at least it’s here now… finally.
Just like in 2011, there were two albums that I simply could not get enough of, and honestly those two were so far and above everything else; with one exception… each other! It should be no secret at this point that I LOVE LOVE LOVE both Sara Bareilles and City and Colour; they are both two of my most favorite artists, and last year, they both released amazing albums within about a month of one another.
1. (tie) Sara Bareilles – The Blessed Unrest
Sara’s incredible third full length album did not disappoint. Seeing her live just before this album was released was a real treat; and it turned out to be the show that was recorded for the live album release later that year (the one that I was featured as a photographer on, nonetheless!). She only sang a few new songs, but man, they really built up my expectations for the new release; and per usual, I was not disappointed. Sara has this quality that I think a lot of artists wish they had; she can capture her thoughts, feelings, disappointments, triumphs, frustrations, and most of all, love all within a song. She can transform a thought into a feeling, and turn that feeling into a beautiful piece of music that makes you feel what she wanted you to feel; it takes you right to where she is in that moment. I love that the first song she released from this album, the penultimate Brave, was an ode to her dear gay friend, in hopes that she could help him be brave, and he could come out to his family. This is such a supportive anthem that I really resonate with, and one that is miles beyond a simply catchy chorus and beat. Sara has crafted another beautiful album without a single misstep, and it is apparently getting her more and more attention; it was, after all, nominated for album of the year at the Grammy’s. While she didn’t win, I definitely thought it was the best one of the bunch, and I am appreciative of her talent that she continues to share with us. Song Highlights: Brave, Manhattan, Satellite Call, Islands, December.
1. (tie) City and Colour – The Hurry and The Harm
Just like Sara, City and Colour is an artist that once I heard him for the first time, I knew I was hooked on something amazing. Dallas Green, aka City and Colour, is definitely an old soul. He is so evocative in his song writing, and so prolific in his musicality, that there is no doubt in my mind that he has been through a few life times; even if only through hardship, love, and loss during this one. He writes music that is so emotion-filled, and beautiful, that I honestly get choked up during many of his songs. He weaves this imagery that makes me feel his music, and makes it an experience, rather than just listening to something catchy or beautiful. There are song that he has on this album, just like on his previous three, that I turn on, turn up, close my eyes, and just feel. When he released the first song from the album, Of Space and Time, I was elated. I was not only in love with this amazing track, but I was once again blown away at how someone could be this talented; he continues to up the game at each turn. The entire album followed suit, and while it is a bit more “polished” than his first albums, I think the raw nature of his craft is front and center. Dallas, please keep making such amazing and beautiful music; I know there are many fans like myself will follow you to the end of time. Song Highlights: Of Space and Time, Harder Than Stone, Two Coins, Take Care, Ladies and Gentlemen.
3. Haim – Days Are Gone
These three rock-n-roll sisters came out of nowhere. I first heard The Wire on a video show, and I loved it. After that, I checked out the album, and I was blown away; who are these ladies, and where did this amazing album come from? According to many sources, these girls loved Fleetwood Mac growing up, and that style influenced their musical style. While I only hear subtleties, I think these ladies have created a truly incredible debut. Very rarely do you come across a new group that is this incredibly talented, and able to turn out a practically flawless debut album. This is one album that I listened to over and over again, because each song is incredible, and not like anything else I heard this year. Seeing them live a few weeks ago was the icing on the cake; they are INCREDIBLE live, and totally slayed the concert. I hope this is a start of a long and illustrious career for this talented trio. Song Highlights: The Wire, Honey & I, Go Slow, If I Could Change Your Mind, Forever, Falling.
4. Tegan and Sara – Heartthrob
I’ve really liked these twin sisters for quite some time, but never so much as I do since this album came out. Embracing a bit more of an electronic sound, added to their tried and true acoustic, guitar driven sound from the start, they tried something different and completely succeeded. In my honest opinion, they have never been stronger, both in their “new” sound as well as lyrically, I have no doubt that they have attracted many new fans with this album. Much more polished, and cohesive, Heartthrob is definitely my favorite Tegan and Sara album thus far. I found myself loving more songs that ever before, and the album in and of it self is cohesive, solid, and very well made. Not saying that haven’t been this strong in the past, as these ladies are incredibly talented; they just have come into something different, and in my opinion, more developed and polished than ever before. Seeing them live recently also made me appreciate their new album even more; they are incredible live, and this show was better than the one I had seen years ago. Song Highlights: Closer, Now I’m All Messed Up, Shock to Your System, I Was a Fool.
5. Lady GaGa – ARTPOP
What can I say? It’s Lady GaGa. I have loved her since the first time I heard Just Dance, which was a good 8 months or so before her debut dropped, and since that time, she has gone from a pop diva to a full-fledged pop phenomenon. While many critics agreed that this was a “weak” album for the superstar, especially when compared to her near-flawless previous releases, I think that this album is merely a minor misstep in an otherwise flawless career thus far. GaGa is hugely talented, and that goes without saying; those that don’t like her can’t deny her level of talent is through the roof, and with this album, she reinvented herself yet again. This time, however, it didn’t blow everyone away like it had before. HOWEVER, I feel like this album is a well-rounded, very strong effort from a massively talented artist. With Applause, the first single off of her new album, GaGa released, what I think, is one of her strongest singles to date; but for whatever reason, I didn’t resonate as strongly as previous efforts. The album release was considered somewhat of a “flop”, because it didn’t blow her previous effort out of the water, but I think that GaGa had insurmountable odds to overcome, and as opposed to trying to best herself, she put her best foot forward, and made a record that she felt comfortable with and loved. It is clear that her passion is still front and center, and while there are a few missteps on the album, this is more GaGa gold that fans can enjoy like before. Song Highlights: Applause, Sexxx Dreams, Venus, Gypsy, Dope, Do What U Want.
6. Miley Cyrus – Bangerz
This album fits squarely in the column of, “I really shouldn’t like this, but… it’s just so… dammit, it’s just so darn good!!”, AKA, what most people would label as guilty pleasures. That being said, I would say that nothing should be a guilty pleasure; if you like something, for whatever reason, just enjoy it! This album was so much better than I was expecting, that I was honestly a little blown away by it. Not only is Miley an extremely talented singer (trust me, she slayed live), but her choices on this album show that not only does she know how to pick a hit, but her choice of producers to work with shows the potential making of a star; after all, you’re only as strong as the music you put out. Remember when Britney was seemingly unstoppable? It was largely because of who she was working with, and I can definitely say that Miley has taken note, and is doing something spot on with her “new” career. With this album, and honestly, with one “stripped down” video for Wrecking Ball, she left her purely innocent pop past as Hannah Montana squarely in the past. Couple that with an infamous racy performance at the MTV music awards, and Miley had transformed herself into the most talked about woman in the room. The attention is well deserved, as this is an incredible pop album, and while it isn’t her debut, it might as well be. I’m not ashamed to say that I love the “new” Miley Cyrus, and if she keeps making albums this strong, she’s got a very long career ahead of her for sure. Song Higlights: Wrecking Ball, Adore You, We Don’t Stop, Drive, #GETITRIGHT, Maybe You’re Right.
7. London Grammar – If You Wait
The first time I heard their sleepy hit Strong, I knew I had stumbled onto something incredible. When they released their album, shortly thereafter, I found myself entranced and hypnotized by Hannah Reid’s haunting vocals, which are beautifully paired with saccharine, wispy harmonies and delicate beats. While the album leans towards possibly being a bit monotonous (and I don’t mean this in a negative way… more cohesive), in that a lot of the songs blend so seamlessly together, and nothing stands out as strongly as well, Strong, the album is beautiful, and there is nary a misstep to be found on it. Definitely a great chill out album, reminiscent of, and I have to believe, playing tribute to, gorgeous music from trip-hop artists like Portishead from the past. This is one band that I would love to see play live, as I am sure they are incredible. I love discovering music like this, especially when bands this incredibly talented come out of pretty much nowhere. This is truly an excellent debut, indeed. Song Highlights: Strong, Stay Awake, Hey Now, Wasting My Young Years.
8. Hayden – Us Alone
I’ve loved Hayden for quite some time, and his latest sleepy-rock album is another fantastic addition to an ever-increasingly magnificent music cannon. Hayden is like a very fine wine, he only gets better with each subsequent release. While this is a short album at only 8 songs, he packed in some truly beautiful songs about love and loss, a subject he seems to know all too well. Hayden’s tenderness always shines in his music, and this is another heartfelt album that more people should be listening to. Song Highlights: Almost Everything, Oh Memory, Just Give Me a Name, Motel, Rainy Saturday.
9. One Direction – Midnight Memories (Deluxe Edition)
These lads were a hot point of contention for me at first; they are sort of responsible for the break up of Westlife, my favorite boy band of all time. Once I got past my heartbreak on losing Westlife, I couldn’t help but fall deeply for these guys and their ridiculously catchy pop. This is an album that is far better than it should be; there really isn’t anything on here that’s bad. This being their third album, I can tell that those that are not firmly in the 1D camp need to either wise up or get out of the way; they aren’t going anywhere for a while. After seeing them on SNL, I saw the star power they possess, and their live shows are probably a big reason why their popularity has continued to soar. They are the new incarnation of the boyband, and they are really doing it really, really well. This is another fantastic pop album chock full of singles; which begs the question, why haven’t more singles been released?! Here’s hoping that will be remedied in the coming months; there is enough material on this album to spawn many more hits. Song Highlights: Through the Dark, Best Song Ever, Strong, Story of My Life, Don’t Forget Where You Belong, Little White Lies, Better Than Words.
10. Rosi Golan – Fortuna
This may be an EP, but it is filled with such amazing songs, so I felt compelled to include it in the best albums of 2013 for that very reason. I have loved Rosi Golan ever since I heard her amazing duet with William Fitzsimmons, Hazy. Her voice is hauntingly beautiful, and on this gorgeous EP, she has given fans a beautiful mini-album full of some of her best work. Unfortunately, I discovered her previous album, Lead Balloon many months after its release, and it missed my best of 2011 as a result. Fortunately, I saw this immediately on its release, and was able to give a little love to Rosi this year, as it is so well deserved. This is one of those artists that is so incredibly talented, but for some reason, tends to fly just under the radar. If you still haven’t heard of her yet, this is your notice; check out Rosi Golan and this incredible release. This is a gorgeous record, and as with her previous work, it has me excited for what she puts out next. Song Highlights: Curtain Call, Give Up The Ghost, Your Forgiveness, Churchyard Sleep.
11. Leslie Hall – Songs In The Key Of Gold
With Songs, Mother Gem released a delicious remix album of her hits, along with a couple of new songs (four to be exact!!) to keep the party moving. I was fortunate enough to see her perform this amazing album live earlier this year, and I had such an amazing time (I always do at her shows!!). This is a best of/greatest hits album with the dance knob turned way up, and the lycra extra tight; Titus Jones remixed all of these songs, and made already danceable fun tracks into the ultimate dance party. I always joke that if I could see Leslie perform about once every month, I would never be sad or worry again. I honestly wish it were an option, because this is always the highlight of my week when a Leslie show is on the books. Thanks for another fabulous album, Mother Gem; it is gem-fantabulous!! New Songs: Neon Blood, #1 Cat In America, Happy Birthday, Of Course You Where Glasses.
The rest…
The Postal Service – 10th Anniversary Deluxe Edition – a pivotal, influential album gets a remastered re-release; still perfection 10 years later.
30 Seconds To Mars – Love Lust Faith + Dreams – another great 30 seconds album.
Beyonce – Beyonce – secret release, some great singles that I can’t get enough of, some stuff I didn’t love.
CHVRCHES – The Mother We Share – I should have liked this more than I did, even though I really, really did like it.
Ciara – Ciara – a few good songs, mostly, I’m Out and Body Party.
Dawes – Stores Don’t End – great stories tellers, love, love, love, Most People.
Shane Filan – You and Me – so much potential, so much repetition.
Goldfrapp – Tales Of Us – I just didn’t get into this one, shame as I love Goldfrapp.
Selena Gomez – Stars Dance – great guilty pleasure; some real bangers on here.
The Great Gatsby Soundtrack – excellent movie, GREAT soundtrack.
Icona Pop – This is… Icona Pop – love these two; some missteps pull down the album.
Jessie J – Alive – amazing singer, great pop starlet, just not as dynamic as her debut.
Little Mix – DNA (US Deluxe Edition) – this is pop, dammit! If it weren’t for the nose dive on the back end of the album, it may have been in the best of list above…
Lorde – Pure Heroine – loved it, just very, very, very overplayed.
Janelle Monae – The Electric Lady – super talented, super talented, super talented.
MSMR – Secondhand Rapture – some great singles, didn’t get into all of it, unfortunately.
Olly Murs – Right Place, Right Time – honestly, it just missed the best list…
Kate Nash – Girl Talk – a lot darker, a lot more punk, a lot less catchy and fun.
The National – Trouble Will Find Me – another fantastic and amazing album from super talented guys.
Tom Odell – Long Way Down – good stuff, just didn’t take me by storm.
The Paper Kites – States – opened for City and Colour; love finding a new, great band.
Silver Bells – Bitter Rivals – a bit tamer than their debut, but still pretty darn good.
Vampire Weekend – Modern Vampires Of The City – always count on them for a great album.
The Wanted – Word of Mouth – not going to lie; a little disappointed given their previous work.
Jessie Ware – Devotion – pretty good, just didn’t blow me away.
Katy Perry – Prism – potential… wasted (Dark Horse is brilliant, though).
The Saturdays – Living For The Weekend – I think they were a little rushed; at least it seems like things were thrown together for this; definitely not as strong as their previous albums. Some AMAZING singles, though.
Britney Spears – Britney Jean – her “most personal”, yet her weakest album to date, with the weakest lead single of her career; very disappointed (Perfume is incredible, though).


William Fitzsimmons falls into a category of artists that I have randomly discovered by beard; that is, I saw a picture of the artist (who has a beard), and thought to myself, “hmm… I must check this guy out” (because, well, I love a guy with a beard). Well, as with many other artists I have discovered by the way of the beard, I am glad that I did check William’s music out, because it is incredible. Much like fellow album favorite list member, Hayden, William is an amazing folk musician. William is decidedly more delicate and more quiet and relaxed than most of his folk peers, but the result is an album filled to the brim with delicate and intricately crafted songs about love, longing, and loss; all of which completely captured my ears and my heart. He also does incredibly right by pairing his beautiful voice with female vocals on the track I Don’t Feel It Anymore (Song of the Sparrow), making it one of my favorites on the album (William has a habit of pairing with great female vocalists; he paired Rosi Golan on her amazing track Hazy, from her (also amazing) album The Drifter and the Gypsy). Overall, if I could describe this album with three words, they would be tender, heartfelt, and beautiful. William may have drawn my attention initially with his looks and his beard, but he captured my heart with his beautiful music. This album is a collection of truly perfect folk songs; songs that are delightful, and peacefully wonderful to listen to. Standout Tracks: Please Forgive Me (Song of the Crow), Maybe Be Alright,
Definitely one of the more “out there” choices on my favorites list this year, Bat For Lashes certainly backs up her status as an alternative artist. She does her best to throw out anything formulaic and embraces the strange and unusual (to quote
Finding this album was one of those incredibly rare times when you stumble so blindly on something so beautiful, well made, and down right amazing, that you almost can’t believe that you found it the way you did. Specifically, it was the beautiful album art that drew my attention, but after one listen, it was the music behind that cover that really blew me away. To say that I wasn’t prepared for what Taller Children held upon my first listen is a major understatement. Elizabeth and the Catapult have mastered the realm of pop music that is perhaps my most favorite (the piano-driven singer-songwriter side), and in making this album, have given me a new group to seek out and cling to each thing that they offer from this moment on. From delicate, and expertly crafted perfection of songs like Apathy, to incredibly delightful upbeat melodies and downright dancehall fun of songs like Complimentary Me and Race You, Taller Children is a journey through what I consider to be the best thing about music. The album is a delightful listen from beginning to end, and nary a misstep occurs from the moment they begin. What’s also great about this fantastic record, is that it actually picks up steam, and manages to get better on through till the end. This album was a massive find in 2009, and one that I won’t be putting away any time soon. In fact, one of my biggest regrets of 2009 was missing their concert; I hope that I can remedy this misstep in 2010. Standout Tracks: Apathy,
While I will admit that this album didn’t resonate quite as strongly with me as his previous effort (and
As much as I loved Lily’s wonderful debut, Alright Still, I had a bit of worry about her follow up the first time I heard the lead single, The Fear. While I really liked it, I felt it was a more electronic, and decidedly more dance-y direction for her to take, and I while I did like it, I was worried Lily may have lost her edge. Well, my fear (ha!) was quickly quelled once I had a proper listen of the whole album, as what I heard was classic Lily, and quite fantastic throughout. The jaded lyrics, sung by her sweet voice, mixed with delightful melodies and arrangements made this a great album I definitely enjoyed through most of 2009. While she certainly took some different directions with this album, and relied on familiar melodies and several of the sounds of the music of yesterday (the intro to Fuck You is practically note for note the Carpenters (They Long To Be) Close To You), I think that she was able to put enough of a fresh spin on each track that she made it her own. Perhaps most of all, I have to applaud the fact that Lily always tells it like it is, and whether she’s condemning a less-than-there lover, or slamming a horrible previous US president, one thing is for sure; she certainly knows her way around a clever lyric, and is no stranger to delivering her delightful brand of vicious wit without batting an eyelash. I will note, that it is practically criminal that she didn’t include the amazing B-side Fag Hag on this album, as it would have clearly been the biggest standout favorite for me. Standout Tracks: He Wasn’t There, Chinese,
This song isn’t actually on Florence + The Machine’s impressive new release, that is, unless you managed to get the deluxe (or extended?) edition, which is a shame, because this is hands down, the best song on the album for me. I love the way that it starts so soft, and the way that she builds with the beating drums and the pounding rhythms to crescendo; only to instantly screech to a halt and bring it back down again. The ache and wailing of her voice is nicely coupled with the sharpness of the beat; all of which make this track stand out more than any other on the album to me. Definitely a great reason to get the deluxe version!
I was checking out Sara’s website earlier this week to see what she was up to recently (I am wanting a new album soon, after all, I really love Sara B as you should all know by now), and she posted that she had collaborated with Ryan Tedder on this track and that it was now available on iTunes. One listen, and I can see why she was spreading the news; it is a beautiful song, and per usual, her vocals are amazingly beautiful. I have this weird relationship with Ryan Tedder, in that I like SOME of his stuff, but overall, I’m not what I would consider a fan. However, you put Sara Bareilles on the track, and I AM THERE. Beautiful song (even if I think she out sings him by a long shot…).
The vocals of this one remind me a bit of Biz Markie, but after seeing the video, I love how this nerdy white boy is laying down smooth classic R&B like this, and doing it so well. The music style reminds me a lot of the Delfonics, and I think it really does a great job of bringing such an amazing classic sound back into the limelight. Something about this song is just really sweet, and full of a sentiment that made me instantly love it. While the song has been out since last November, it just came across my desk this week, so I am delighted to pass it on to you.
It was kind of weird how I discovered Greg Laswell. I was supposed to go and see the AMAZING Elizabeth and the Catapult earlier this month at Edie’s Attic, and unfortunately, I bought tickets before I knew James and I were going out of town for a wedding. I put the tickets in a friend’s name, and went to see who else was playing with them to give her the heads up before she went. That’s where I saw a picture of Greg, and if you know anything about me, you would know that I am a sucker for a guy with a beard, so I instantly knew I had to go and check him out (even though I unfortunately wouldn’t be seeing him live). Well, I downloaded his most recent release, Three Flights from Alto Nido, and I was impressed with how beautiful an album it is! I love his musical style, which is very similar to Mat Kearney and even has touches of Hayden and Duncan Sheik to it. All in all, I discovered a new artist that I really like without even seeing him in concert, because I was supposed to go to the show, and couldn’t! Weird? Yes, but the music is fantastic, and at least I got to take that away from it (I wish I could have seen him live though).
Here’s my blast from the not-so distant past track for today. I realized this week that I hadn’t listened to Fiona Apple in such a long time, and as a huge fan of hers, I was wondering why, so I decided to remedy that. Well, after listening to Extraordinary Machine again, I recall just how happy I was
Well, it looks like this week, we have not one, but two Canadian singer-songwriters! I mentioned Matthew back in May when I discovered his AMAZING track, Easily Bruised. Well, after falling for that song, I went and downloaded his album Ghost Notes, from which the song hails, and I found many more amazing tracks. His style reminds me a bit of Hayden at times, as well as other folk-rock acts like Joshua Radin and even Bob Dylan. This song is achingly beautiful, and it reminds me why I love searching for new music; occasionally, I stumble onto something truly amazing. This song is just that; truly amazing.
I have featured Jack on the 5SF in the past, but I quickly lost interest in him because of how many of the songs from his debut where a bit too similar to stand out for me. Well, I heard that he was revamping his style, and releasing a new record this month, and after checking it out, I must say that I have regained my interest in him; big time! I love the changes he made to his sound, and I find myself really liking this album. Pull My Heart Away is my favorite track that I have heard so far from the aptly titled, Everything Is New; which is out June 22.
I was late to come to the church of Patrick Wolf, but honey, I am swaying the pulpit now! I liked several songs off of his previous release, The Magic Position, but overall, the entire album didn’t resonate with me for whatever reason. When I heard he was to release a new album this month, I was excited to see what he would bring me next, and I must say, after listening to The Bachelor, the entire album resonated with me on a much deeper level. It took me a minute to appreciate the often avant garde style Wolf harnesses in his music, but once I did, I realized how fantastic he is. There aren’t many artists out there carving their own niche anymore, and Wolf really reminds me of the innovativeness of artists that came before him; especially those like David Bowie. Watch this kid, because he is doing some pretty amazing stuff with music.
Lastly today, I wanted to pay homage to one of the greatest bands ever, the almighty Blur. When I was in high school, Blur was one of those bands that made me really realize how much music meant to me, and it helped me appreciate really great music at the same time. This song, from their AMAZING debut, Leisure, is a fantastic reminder of so many good times from those days, and a welcome stroll down memory lane every time I hear it. Leisure is one of those albums that I can listen to from beginning to end, and it will always be amongst my favorite records of all time; along with many other Blur albums too.
Let me start this review off by talking about one of the best concerts I saw this year. The show was the amazing Feist, who managed to captivate me in 2007, and ended up at the