So after last week’s random check-in blog post, I feel like I have been somewhat reconnected, so to speak, and kind of want to keep the momentum going, if possible. I do think that a large part of that, interestingly, was due to seeing Smashing Pumpkins last weekend in Duluth. It was the Shiny and Oh So Bright tour, which was touted as an almost-greatest hits tour, where they got (most) of the original band back together, and played only stuff from their first 5 albums, spanning from Gish through Machina/The Machines of God.
I had read that ticket sales were lackluster for the tour, but teenage me wanted to go for nostalgia’s sake, and I am so glad that I did; the night was fantastic, and they played hit after hit and fantastic deep album cuts (including my favorite song from Siamese Dream!) for a solid 3 hours! Any fan of their work during that time would have had a blast; which is exactly what I did. All in all, I am so glad that I went, because the concert was amazing; and as I said, teenage me would have been super pumped about that experience, and would have been really happy that I decided to go. Sound-wise, they sounded amazing, and considering that a lot of that material is between 18-27 years old (!!!), it was impressive that the magic was, and is still there.
What I didn’t really expect, however, was that the nostalgia effect turned into a renewed interest and exploration of their newer work, which I honestly overlooked prior to now; which includes pretty much anything after Mellon Collie, other than a few singles here and there. For whatever reason, I kind of snoozed on the band after Mellon Collie; perhaps like most other fans of the hardcore alternative style they flexed prior to Adore, due to the large departure of that album. That being said, listening to it now, I don’t see why I didn’t like it more at the time; it, and their other albums, are all quite good, and are through-and-through Smashing Pumpkins at the core. I do have to venture a guess that part of the blame comes from this coming around a time of much change in my life; I was in college, and a lot was going on with me, and my music tastes were changing wildly at the time. Looking, and listening back, I can hear that most of their work has been pretty consistent (albeit different and evolving), and quite good since their inception, and this time I am spending listening to the “older stuff” has been fun, because I have been reconnecting with a band that I have always loved for as long as I remember liking music.
I do know that some of my issues with the band were based on line up changes, and drug use (which lead to the death of one of the touring members at one time), which can explain why I overlooked some of their work, but that is definitely in the past now. I do remember really liking Zeitgeist when it came out, so it is clear that I have always been willing to give them and their newer work a chance, but I just hadn’t connected like the way I have this past week following that show. I have always held Siamese Dream to such an unattainable standard, that it is no wonder that I have felt so lukewarm about their other albums; which is a shame, because I have been the cause of myself missing out on some pretty awesome music. Additionally, it goes to show that a good concert can really sell a band, past, present, and hopefully future. I have been getting some of the older stuff on vinyl, and I would like to see a release of Machina/The Machines of God (and it’s follow up), as well as Zeitgeist on vinyl as well, because as much of a fan as I was before, I am even more so now. Now, to get the vinyl that is available, and complete my album collection!







I feel like I have been singing Adele’s praises for ages now, but honestly, I don’t think that I could ever sing them enough. After seeing her last week, I have been flying high on this amazing Brit’s debut album, 19, and I wanted to post one of my absolute favorite songs of hers. This song is full of emotion, drama, feeling, and power. I love how she makes her voice crack, which really represents the broken heart that she is singing about. She performed this song flawlessly in concert, and if you still haven’t gotten on the Adele bandwagon by now, this is just me shaking you, again, and telling you to get with the program. Adele is amazing!
I’m not normally a big fan of country, and while I used to only listen to it back in the day, I attribute that to being mostly a product of my environment *cough*hick from North Carolina*cough*. I remember when Carrie won American Idol, and I was really excited, because she was one of the first ones that had pipes as amazing as Kelly Clarkson’s, and even though she was country, I just knew that her amazing show stopping version of Alone by Heart would grace her debut. Well, it didn’t, and instead of making me happy, she went full tilt country, which, while it does serve her voice beautifully, it just didn’t “do it” for me (also songs like Jesus Take the Wheel just make me want to roll my eyes… no offense). Now, let’s cut to last week when she appeared on the Idol stage again to sing this Randy Travis remake; I’m not going to lie, I fucking wept. This song is beautiful, and her voice gave me chills all over. Country or not, this girl can SING, and she sings this beautiful song amazingly; both live, and on her Carnival Ride CD. Note: I didn’t post the version she re-released with Randy Travis (also last week), mostly because Randy is just so outshone that I felt a little bad for him. I LOVE this song, and I am glad that Carrie chose to cover it.
This is another fantastic discovery that I can thank BBC Radio One for; they have been playing this song for a couple of weeks now, and I have found myself liking it more and more with each listen. The neo-soul guitar strumming, and popping beats really compliment the lead singer’s sweet voice (which has a resemblance to Eartha Kitt; without the kitty growls, of course). This infectious track has the upbeat sensibilities of the Ting Tings, and while it is a bit repetitive lyrically, it isn’t enough to turn me off. I can’t wait to see what the new Noisettes album will be like; if it is anything like this fantastic track, I am sure that I will love it.
I may make a few enemies with this one, but hear me out; YES, the original version is awesome, amazing, and several other praise-worthy words. It won an Oscar. See? I agree. However, this version, which harnesses the amazing vocals of Miss Pussycat Doll herself, Nicole Scherzinger, is just too perfect to ignore. A.R. Rahman’s Oscar-winning song gets the English treatment, and instead of being a “replacement” for the original Indian hit, I think that this version will just get more people interested in the original. I personally LOVE this song, and love that I can sing along with Nicole, because, call me crazy, but I like listening to music that has lyrics that I can actually understand; catch me catch me catch me!!! So again, the original – fantastic; and so is this version, which I cannot stop playing and dancing around to!!
To end today, we are going full tilt gay. We have covered a lot of ground today(soul, country, bollywood, now disco!!!), but this is disco bananas, and it is fantastic. Alcazar are a Swedish dance group that have been around for a decade, and recently, they released a massive double disc album that is chock full of dance floor fillers. This is my favorite song from that album, which is appropriately called Disco Defenders; because if anyone is going to successful in advocating for the fabulousness of disco, it’s definitely these guys. This song is upbeat, happy, and throw-your-hands-in-the-air dancetastic. Songs like this make me want to dance all night long, and HOW can that be anything but great?! Sometimes, it’s nice to just have a little fun, isn’t it? Well, that’s definitely something you can do by listening to Alcazar!