Tag: x-factor

5SF: november 20

Thank goodness it’s Friday; it means the weekend is almost here, and it also means that new music is coming your way via the 5SF! Today, there is a little bit of a celebration of the letter A; seeing as all of the songs featured today, are by artists whose names start with A (well, at least in some part). The A game was not intentional on my part, but hey, I’ll run with it; sometimes having an angle makes things more exciting. Let’s get down to business, shall we?

Amerie – Heard ‘Em All
[audio:http://www.duanemoody.com/audio/fsf_1120_amerie-heardemall.mp3]
I’ll admit I wasn’t a fan of Amerie at first. I initially found 1 Thing slightly off-putting because of the intensity, and the way she basically screamed the song at you. Well, a few years later, I heard the brilliant Take Control (which was on her last record, that apparently, wasn’t released in the US), which gave me new respect for Amerie; which translated into me even beginning to enjoy the (actually quite amazing) 1 Thing. Naturally, when I noticed that Amerie had released her new album In Love and War earlier this month (and especially after hearing this banging lead single) I had to check it out. There are several great tracks on it, and I have been playing this one in particular on repeat. Amerie’s music has a feel to it that lets you know it’s her right off the bat, and songs like this make me want to get out of my seat and dance around. The layered big band instruments and booming bass make this a track that is just begging to fill dance floors. The energy in this track is high, and with this new single, Amerie has come back to the States stronger than ever.

Alexandra Burke – Bad Boys
[audio:http://www.duanemoody.com/audio/fsf_1120_alexandraburke-badboys.mp3]
The first time I heard this song was a little over a month ago, and initially, while I did like it, I wasn’t blown away by it. However, after several subsequent listens, it has grown on me, and I have been enjoying this guilty pleasure more and more with each spin. This is one of those songs that would fit perfectly on US pop radio, but because it is a UK artist, the chances of that happening are ever so slim. However, I read that Alexandra (who won X-Factor last year, the year after Leona Lewis; one Brit who famously did make it to the top of the US pop charts) is actively working with several big names in the US music industry, in order to get her more exposure on this side of the pond. Only time will tell, but having Flo-Rida in the song certainly bodes well for her potentially topping charts in the states at some point in the near future (not that Flo-Rida is in any way a draw to this song for me whatsoever).

Adam Lambert – For Your Entertainment
audio removed
Alright, ladies and gents, here is the first single from American Idol runner up, Adam Lambert’s debut album of the same name (which is out next Tuesday). While I do admit that I was skeptical at first (seems to be a theme today) of this track, I realized that for me, it was in large part due to the hype surrounding Adam’s impending debut. I was a major fan of him on the show, mainly, because love him or hate him, there is absolutely no denying that this guy has some major singing talent. However, the pressure that winning or coming in second on AI puts on that contestant’s first release after the show is staggering; and given history, unfortunately equally disappointing. There have been very few American Idol alums that have truly delivered for me, and as such, I was nervous about what Adam would do with his debut. After giving this track enough of a chance to allow the stink of over-hype to wear off, I will say that I am definitely more optimistic about Adam’s debut album; the track is a real grower, and really highlights his insane singing voice. We’ll have to see if the rest of the album delivers, but for now, I’m definitely more excited to see what he has in store for us on Tuesday.

Lady Antebellum – Need You Now
[audio:http://www.duanemoody.com/audio/fsf_1120_ladyantebellum-needyounow.mp3]
I’ll admit, I don’t really like posting “big hits”; especially if they are in the top of the iTunes/Billboard charts. I enjoy focusing these 5SFs on stuff that people may not have heard before, or stuff that you might miss because its brilliance was (or would probably go on to be) vastly overlooked. There are notable exceptions (ahem, Lady GaGa’s Bad Romance last week), but for the most part, posting what’s burning up the charts (and the radio) isn’t the central point of these 5SFs. This may seem like a tangent, but I felt like I needed to clarify, because this is another notable exception; a song that I discovered because it was the top of the iTunes singles chart. I have heard of Lady Antebellum, but never really heard any of their music; mostly because I am not what I would consider a huge fan of country music. However, after seeing this song soar to the top of the singles chart, I had to least give it a listen, and least hear what it was about this track that made so many people want to buy it. After watching the video (ahem… the lead male singer is HOT), I instantly heard why it would jump to the top of that singles chart; this song is incredibly beautiful, the lyrics are eloquent, and the arrangement is masterfully crafted. I love the sweet and tender elements of this song, and I am glad that I gave it a listen; especially because of the fact that it’s unlikely I would have heard it otherwise. Sometimes, you find something at the top of the charts that you haven’t heard, and sometimes, it turns out to be wonderful; this is definitely one of those times.

David Gray feat. Annie Lennox – Full Steam
[audio:http://www.duanemoody.com/audio/fsf_1120_davidgray-fullsteam.mp3]
I found out about this collaboration from my friend Gregor, when he posted a video for the song on his facebook page. I actually downloaded the new David Gray CD, when it came out a while back, but because it wasn’t really meshing with me for whatever reason, I never got all of the way through it. It just so happens, that this is the last song on the CD, so I never heard it before seeing his post. Well, I’m glad that I gave it another listen, because Gregor introduced me to a truly beautiful collaboration by two extremely talented artists. I have been a fan of Annie Lennox for as long as I can remember, so seeing her name attached, only piqued my interest in the song that much more. I love the juxtaposition of their two very different vocals, and the inherent “David Gray” nature of the song (the something about all of his music that makes it almost unmistakably him) suits the pairing wonderfully. Thanks for pointing out this amazing gem of a song, Gregor!

So, there’s another set of songs for you to digest this week. Be sure to not only let me know what you thought (comments are love, people!), but also what you are listening to, and any suggestions for future 5SFs! Have a great weekend!

for some, believing clearly isn’t enough…

Let me start this post by saying that I generally love the UK’s X-factor; after all, they gave me one of the loves of my life, Mr. Shayne Ward. Not only that, they followed him with the amazing Leona Lewis, who’s Bleeding Love is a song that I still have in heavy rotation; months after I initially heard it. However, with all that good, there too can come some bad. Even though I heard that this year’s winner Leon Jackson was to cover When You Believe, the amazing song from the Prince of Egypt that was originally sung by none other than the divas Mariah and Whitney, I had somehow avoided hearing his version, that is, until recently. It came on U-Pop the other day, and I listened, in order to hear the magnificence that the UK had chosen to win X-Factor. Instead of being impressed, I was horrified.

Not only does he clearly lack the same level of talent that Shayne and Leona possess, but his singing voice doesn’t even seem to be at a level higher than amateur. Not to be mean to the poor kid, but seriously, this is just a bad cover of an otherwise great song.

This brings me to my other gripe: Whomever chose When You Believe as the song that the winner would sing is either a sadist, or just an asshole; because if you are going to do a song that Mariah and Whitney did beautifully, the only way to do it successfully, is to do it better (which that, in and of itself, would be a difficult task indeed). Even without the powerhouse divas singing the original, what on earth were they thinking handing this enormous song to an “undiscovered talent”? Wow. To me, this is just a recipe for disaster, and makes a situation that only sheer luck could bail them out of. Unfortunately, the likable, and in my opinion, much more talented brother-sister group Same Difference did NOT win X-Factor, so we cannot know whether or not their version of the song would be superior to Leon’s; but one thing I do know, is that his version is almost un-listenable. But don’t just take my word for it, see (or rather, hear) for yourself.

First, I give you the Mariah and Whitney version; which is in my opinion, a flawless pop song. It is well written, and their voices compliment each other beautifully. Also, need I even mention that it is fucking Mariah and Whitney, which again, begs to question why one would ever try to cover something that big, unless they KNOW for certain they can do it better?


Now, check out Leon’s version of When You Believe (sorry, but the real video can’t be embedded). I can’t believe they went there, to be honest. I guess it is a little like Leona’s version of A Moment Like This (which is quite terrible as well, but she has managed to distance herself from it quite well), if you have heard a superior version of the song several years in advance of some practical nobody doing a sub-par version of it, what is the fucking point of them doing it at all? There are TONS of songs out there he could have covered; so why this one?


Oh well, we can never know what prompts these producers to rehash the same pop trinkets on other shores, but I can hope that future incarnations of shows like X-Factor, and even the dwindling American Idol, can manage to pull out some better songs, suited for the potential winners. If they are going to stick with sending these poor singers out there with rehashed, sub-par covers, can they at least pick some songs that they would be better suited for? Clearly, in this case, that did not happen at all. I just don’t think that we should have more tragedies like this one, littering the airwaves, and making my ears cringe when I hear them. Clearly, believing that you can sing the song better does not mean that you actually can. Poor Leon…