I know, right? FINALLY! The wait is over, and here are my 11 favorite albums from LAST YEAR, 2011. Now, this list really isn’t a surprise to me, because these are the albums that I listened to most throughout the year, and they are all stellar. However, for the first time, for me, there was a clear tie for first; I couldn’t pick one of them over the other, no matter how hard I tried. That being said, I hope you enjoy my picks for my favorite albums of 2011. I also listed several albums that were great, but just didn’t make the cut, because they weren’t up to the par of these special few. Now, on to the list!
(tie) 1. Adele – 21
I have loved Adele pretty much from the first moment I heard of her. I saw some blogs talking about this “up and coming” singer back in early 2008, and after hearing some live stuff, I was instantly on board. What came next was an amazing debut, 19, which was my number 4 album of 2008. Then, I saw her live at the Variety in March of 2009, and that concert solidified her as one of my favorite artists. Obviously, I was jazzed to here a new album was slated for early 2011, but I wasn’t prepared for this opus that she would release. This album doesn’t have a single bad track on it. It is immaculate. This is an album that is current, and one that will age well; it is a new classic. Adele is one of those singers that has such talent that it isn’t really being matched by many right now; and people are taking notice. This is one of those rare instances where there is something I love so very much that happens to make it on the radio, and gain the attention of the masses; this album made 2011 a huge year for Adele. Now, if she can just quit pushing herself so hard, take some breaks, and protect that amazing voice; I want to enjoy her for a lifetime.
Standout Tracks: Turning Tables, Set Fire To The Rain, Someone Like You, Take It All, Rolling In The Deep.
(tie) 1. City and Colour – Little Hell
This album being on top shouldn’t surprise anyone that reads this blog regularly; I adore Dallas Green, aka City and Colour. He is another one, like Adele, that when I first heard of him, I was instantly hooked, and I realized quickly that I had found an all time favorite artist in him. His most recent album, Little Hell, is raw, beautiful, dark, poignant, flawed, and still, damn near perfect. This album takes what he does best (making amazingly well written songs and setting them to hauntingly beautiful acoustic music), and builds it to a crescendo. This album captivated my attention from when it was released in June, and continues to be on heavy rotation for me now; this is a shining example of a supremely well made album by a truly amazing artist. Little Hell showed me that I chose well when I declared City and Colour as one of my favorite artists, because he does not disappoint. I was worried that it wouldn’t meet or exceed Bring Me Your Love (which is one of my favorite albums of all time), but he met the mark, and made an album that stands proudly along side it. Excellent, excellent music, here folks, and one of my favorites of the year by far.
Standout Tracks: Northern Wind, O’ Sister, Grand Optimist, We Found Each Other In The Dark, Little Hell.
3. William Fitzsimmons – Gold In The Shadow (Deluxe Edition)
I finally got to see him live earlier this year, and I KNOW that this influenced my decision to put his album this high; the album is amazing, but hearing it live made for one of the best concert experiences of my entire life. William is an incredibly folk musician, and his music is tender, and achingly beautiful. What pushed him higher on the list was the re-release of this album as a Deluxe Edition, because it contains some of his most beautiful songs to date (which are included in the standout tracks). Another great album by another amazing artist; are you sensing a trend here, people?
Standout Tracks: By My Side, Beautiful Girl, Ever Could, Blood And Bones, Bird of Winter Prey.
4. Jessie J – Who You Are
Initially, I was a bit turned off by her (not a huge fan of Price Tag), but I listened to the whole album, and man, I was blown away. This chick can SING!! She has some amazing songs, and her debut is nothing to scoff at; it’s brilliant. Definitely one of my biggest surprises of the year; glad I gave her a second chance! Also, the re-release with Domino was smart; Domino is such a fantastic addition to an already amazing album.
Standout Tracks: Who You Are, Do It Like A Dude, L.O.V.E., Domino, Abracadabra.
5. Lady GaGa – Born This Way
What can I say, IT’S GAGA. Seriously, haters beware; this is pop music people. GaGa is still killing it, several years into the game at this point, and clearly, has no intention of slowing down. Some of the tracks on this album are the best of her career; she clearly has a knack for what it takes to make a hit. This album is excellent from beginning to end, but the Deluxe version “extras” were just so-so. Overall, GaGa has never let me down, and this album was certainly one of my favorites this year.
Standout Tracks: Heavy Metal Lover, Born This Way, Marry The Night, Americano, The Edge of Glory.
6. Patrick Wolf – Lupercalia
I love how eccentric this guy is; he clearly has his own style, and flaunts it with such, well, style, that it begs for attention. I really enjoyed his previous work, and was excited to hear a new album from him this year. However, it was all shock and awe when, low and behold, this is the happiest I have heard him! There are so many wonderful love songs on this album, and it is definitely my favorite album he’s released to date. Do yourself and watch the video for House too; it is EPIC. I love artists that aren’t afraid to be themselves, and Patrick is the definition of unique. His talent is too wonderful not to explore and share.
Standout Tracks: House, The City, Bermondsey Street, Together, The Future.
7. Feist – Metals
I am a gigantic Feist fan; I have been since I saw her live on her tour for The Reminder. That album caught me by surprise and ended up being my number 2 album of 2007. I didn’t think I’d have to wait so many years to get another fantastic album from this Canadian chanteuse, but when she announced she’d follow up this year, I was thrilled. She didn’t disappoint, either; fantastic follow up to a fantastic previous album.
Standout Tracks: How Come You Never Go There, Bittersweet Melodies, Anti Pioneer, Graveyard, Caught A Long Wind.
8. Death Cab For Cutie – Codes and Keys
What can I say, Death Cab are one of my all time favorite bands, so obviously, I am going to be excited when they come out with new material. This time, they released some very happy and upbeat songs, and many of them channeled electronic elements of Gibbard’s seemingly abandoned side project from years ago, The Postal Service. I was more than happy to hear those influences on this album, and still hold out hope for another Postal Service album; but that’s a different story for a different time. The songs on this album are excellent, and it is yet another great album but one of my favorite bands… this seems to be the trend for 2011.
Standout Tracks: St. Peter’s Cathedral, Stay Young Go Dancing, You Are A Tourist, Unobstructed Views, Some Boys.
9. Florence + The Machines – Ceremonials
While her first album took me a little while to fully enjoy, I was waiting at the starting gate for this go ’round. Florence is truly an artist that crafts a song from the words, to their pronunciation, to the music, and the orchestration; all of these are her instruments, and the effect is a layered song that is unique and gorgeous. She uses her dynamic musical talent to craft yet another album that many people will continue to talk about for a while to come; she has proven she is truly an artist to watch, and listen to.
Standout Tracks: Shake It Out, Only If For A Night, No Light No Light, Remain Nameless, Never Let Me Go.
10. Mat Kearney – Young Love
Always a favorite of mine, Mat tries a few new things, while bringing the signature of his previous work on board, making yet another fantastic album. The blend of hip hop with pop-rock is unmistakably Mat’s signature, and he weaves more delightful music on this album, and makes some of his best music to date. While it didn’t quite wow me as much as his previous effort, it does stand out as one of my favorites of the year, and there really isn’t another negative thing I have to say about it.
Standout Tracks: Ships In The Night, Count On Me, Chasing The Light, Rochester, Hey Mama.
11. Britney Spears – Femme Fatale
Arguably, this is by and large, one of her strongest, and most cohesive albums to date. Some of the songs on this album made for some of her most dynamic, and interesting singles as well. Overall, this album will certainly be one that Britney can look back on one of her overall best. That being said, the inclusion of the complete throwaway track, Big Fat Bass, almost derails the entire effort for me, but I skip it each time I listen to the album, so I won’t let it ruin the pop masterpiece that soars throughout the rest of the record. It’s Britney, bitch, indeed.
Standout Tracks: Till The World Ends, Criminal, Seal It With A Kiss, I Wanna Go, Hold It Against Me.
Well, there you have it; my favorite 11 albums of 2011. I hope you found something you hadn’t heard, and give it a chance. I also hope that you enjoyed these albums as much as I did in 2011, and will continue to enjoy on into 2012 and for years to come.
Now, the rest… These are albums that were very good, but for whatever reason, missed the 5 star mark. Some of them just have fantastic singles, but a lot of throwaways dragging them down, and others were just good, but nothing stood out as fantastic. Either way, here’s a bunch of other music you should check out, as it was stuff I was digging in 2011:
Matt Alber – Constant Crows: Love this out crooner, he’s as easy on the eyes as he is on the ears. A great follow up to his debut, and the Madonna cover is amazing.
Beyonce – 4: Color me disppointed; some AMAZING singles, some really bad songs. All over the place.
Bjork – Biophilia: Kinda like above, an amazing lead single, the rest was weird, but interesting.
Bon Iver – Bon Iver: Love him, even though his voice is a bit weird to me.
Alex Clare – The Lateness Of The Hour: Dubstep meets soaring, chill inducing male vocals.
Kelly Clarkson – Stronger: Originally, I stated it was ‘meh’; well, it grew on me, some real stompers on here.
The Decemberists – The King Is Dead: Some of this is excellent, some just too twangy.
Fleet Foxes – Helplessness Blues: Gorgeous, but also a bit too ethereal for me.
David Guetta – Nothing But The Beat: An album full of floor filling dance singles, what’s not to love (well, a few of them, that’s what).
Jennifer Hudson – I Remember Me: I love this girl. Practically as good as her debut, with just a few slight missteps.
JLS – Jukebox: Overall, enjoyable, but nothing really stands out of the pack.
Cher Lloyd – Sticks + Stones: Excellent, almost made my year end list. Reminds me of the spunk of Lily Allen. Swagger Jagger is a deal breaker, though.
Jennifer Lopez – Love?: Color me surprised with this one! Some MAJOR singles, but the rest is filler.
M83 – Hurry Up, We’re Dreaming: Pretty, weird, pretty weird… but good!!!
Jon McLaughlin – Forever If Ever: Great songwriter, but some of them felt like half-hearted efforts. The stellar songs are stellar, though!
Matt Nathanson – Modern Love: Didn’t love it as much as his previous release, but still good nonetheless.
Noah and the Whale – Last Night On Earth: Very different than their previous album, which I loved; hard not to compare the two.
One Direction – Up All Night: Fun and poppy.
Peter Bjorn and John – Gimme Some: A bit more edgy and harder than their best album, Writer’s Block, but still good.
Nicole Scherzinger – Killer Love: Damn, this almost made my best of list; but the filler songs are bland. Where she shines, however, she is brighter than the sun!
Slow Runner – Damage Points: Saw them open for William Fitzsimmons; great band, great sound!
The Saturdays – On Your Radar: A little disappointing considering their previous work, but still great girl band pop.
Vanbot – Vanbot: Almost made my best of list; excellent, Swedish pop, reminiscent of fellow Swedish pop princess Robyn. Definitely one to keep your eye on.
The Wanted – Battleground: Kinda like JLS; overall, enjoyable, but nothing really stands out.
White Lies – Ritual: Quite excellent, and maybe with more listens, I’ll love it even more; it just didn’t capture my attention last year.
Will Young – Echoes: Oh how I had such high hopes for this album, and I tried, I tried so hard to love it. It has some AMAZING singles (Jealousy being my favorite song of the year, btw), but the rest of the album was a little more dance, and little less heart for me. Will’s previous album was perfection to me, so I was pretty sure this one couldn’t stand up to it, and unfortunately, it didn’t. That being said, I really love him, and he is one of my favorite artists, and despite only a luke warm feeling for me, it’s a great album nonetheless.
Young The Giant – Young The Giant: Some great singles, but the high points far outshine the low points.
In anticipation for Dallas Green’s new City and Colour album, Little Hell (out June 7), I have been checking his website a lot to see if any news or songs were being released prior to the album. Imagine my intense glee when I found that he had posted Northern Wind, because this song is nothing short of epic. This song solidified the fact that this guy is not only incredibly talented, but that he only continues to raise the bar on his own music. I have talked a lot of Dallas in the past, and I will not be stopping any time soon; and if the new album is anything like this, I can guarantee we have one of 2011’s best right here. This song is already on repeat for me, and I pre-ordered the album right after I heard it; something I never do. This guy has really made a lifelong fan out of me, and I will continue to follow his music as long as he makes stuff as endearingly beautiful as this. Northern Wind is seriously one of my favorite songs of 2011 so far, and makes it even more exciting to have City and Colour as one of my most favorite artists. 
A friend of mine on facebook reminded me that I needed to give the new Decemberists album, The King is Dead a proper listen, and I am glad that I did. Overall, the album is pretty decent, but this song is the real standout for me; it is incredibly beautiful in every way. I have always loved Colin Meloy’s voice, and it is so tender in this song, and the lyrics are vivid. I love how the song is arranged, and how it is almost like an old timey country song; which is normally not something I would instantly love. It’s definitely a little different than some of their previous work, but I cannot get enough of this song; it is really, really beautiful. I have been listening to it on repeat for a few weeks now, and it just gets better every time I hear it. 
I mentioned Slow Runner a few posts ago when I was talking about the incredible William Fitzsimmons concert I saw at Smith’s Olde Bar a few weeks ago. These guys opened for him, and played with him throughout his set as well, and I was very impressed and thought they were pretty amazing live. When I came home, I downloaded some of their stuff, and was happy to have found a great band in the process. In concert they reminded me a lot of The Postal Service, and that electronic-pop-folk sensibility is front and center on their recorded stuff as well. This song, from their new album Damage Points, is by far my favorite of all their stuff I have heard. It’s beautiful, and the lead’s voice is very shyly tender and sweet. I will definitely be keeping my eye on these guys in the future. 
It has been exactly one week since I saw the incredible show Kylie put on at the Fox Theater last week. My buddy Stu surprised me with tickets, and the show was amazing!!! I was a fan of Kylie before, but she has definitely moved up on my list of favorite artists. The show’s production was far and above over the top, and every moment was a true sight to behold; this woman is incredible live, and you are truly missing out if you haven’t seen her in concert. Since seeing the show, I have been listening to lots more Kylie, and have given Aphrodite more of a chance. After having seen her perform the songs live, I have a newfound appreciate for them, and have been enjoying her music much, much more. I feel like if I had seen her live earlier, I would have probably ranked this album higher, and it may have even made me favorites of 2010. Thanks for taking me to the show, Stu! It was incredible!! 
After seeing 
William Fitzsimmons falls into a category of artists that I have randomly discovered by beard; that is, I saw a picture of the artist (who has a beard), and thought to myself, “hmm… I must check this guy out” (because, well, I love a guy with a beard). Well, as with many other artists I have discovered by the way of the beard, I am glad that I did check William’s music out, because it is incredible. Much like fellow album favorite list member, Hayden, William is an amazing folk musician. William is decidedly more delicate and more quiet and relaxed than most of his folk peers, but the result is an album filled to the brim with delicate and intricately crafted songs about love, longing, and loss; all of which completely captured my ears and my heart. He also does incredibly right by pairing his beautiful voice with female vocals on the track I Don’t Feel It Anymore (Song of the Sparrow), making it one of my favorites on the album (William has a habit of pairing with great female vocalists; he paired Rosi Golan on her amazing track Hazy, from her (also amazing) album The Drifter and the Gypsy). Overall, if I could describe this album with three words, they would be tender, heartfelt, and beautiful. William may have drawn my attention initially with his looks and his beard, but he captured my heart with his beautiful music. This album is a collection of truly perfect folk songs; songs that are delightful, and peacefully wonderful to listen to. Standout Tracks: Please Forgive Me (Song of the Crow), Maybe Be Alright,
Definitely one of the more “out there” choices on my favorites list this year, Bat For Lashes certainly backs up her status as an alternative artist. She does her best to throw out anything formulaic and embraces the strange and unusual (to quote 
Finding this album was one of those incredibly rare times when you stumble so blindly on something so beautiful, well made, and down right amazing, that you almost can’t believe that you found it the way you did. Specifically, it was the beautiful album art that drew my attention, but after one listen, it was the music behind that cover that really blew me away. To say that I wasn’t prepared for what Taller Children held upon my first listen is a major understatement. Elizabeth and the Catapult have mastered the realm of pop music that is perhaps my most favorite (the piano-driven singer-songwriter side), and in making this album, have given me a new group to seek out and cling to each thing that they offer from this moment on. From delicate, and expertly crafted perfection of songs like Apathy, to incredibly delightful upbeat melodies and downright dancehall fun of songs like Complimentary Me and Race You, Taller Children is a journey through what I consider to be the best thing about music. The album is a delightful listen from beginning to end, and nary a misstep occurs from the moment they begin. What’s also great about this fantastic record, is that it actually picks up steam, and manages to get better on through till the end. This album was a massive find in 2009, and one that I won’t be putting away any time soon. In fact, one of my biggest regrets of 2009 was missing their concert; I hope that I can remedy this misstep in 2010. Standout Tracks: Apathy, 
While I will admit that this album didn’t resonate quite as strongly with me as his previous effort (and 
As much as I loved Lily’s wonderful debut, Alright Still, I had a bit of worry about her follow up the first time I heard the lead single, The Fear. While I really liked it, I felt it was a more electronic, and decidedly more dance-y direction for her to take, and I while I did like it, I was worried Lily may have lost her edge. Well, my fear (ha!) was quickly quelled once I had a proper listen of the whole album, as what I heard was classic Lily, and quite fantastic throughout. The jaded lyrics, sung by her sweet voice, mixed with delightful melodies and arrangements made this a great album I definitely enjoyed through most of 2009. While she certainly took some different directions with this album, and relied on familiar melodies and several of the sounds of the music of yesterday (the intro to Fuck You is practically note for note the Carpenters (They Long To Be) Close To You), I think that she was able to put enough of a fresh spin on each track that she made it her own. Perhaps most of all, I have to applaud the fact that Lily always tells it like it is, and whether she’s condemning a less-than-there lover, or slamming a horrible previous US president, one thing is for sure; she certainly knows her way around a clever lyric, and is no stranger to delivering her delightful brand of vicious wit without batting an eyelash. I will note, that it is practically criminal that she didn’t include the amazing B-side Fag Hag on this album, as it would have clearly been the biggest standout favorite for me. Standout Tracks: He Wasn’t There, Chinese, 
It is with great excitement that I bring you the BRAND NEW single from Hellogoodbye!! When We First Met marks a triumphant return to producing great pop for Hellogoodbye, and if this is any indication as to what we can expect from their next release, my longing for new material from them might have been worth the wait. I have been a fan of Hellogoodbye ever since I fell in love with their full length debut, Monsters! Aliens! Dinosaurs! Vampires! way back in 2006 (!!!). Then, after seeing them in concert, I fell even more head over heels for them, and have been clamoring for the chance to get some new music from these guys; and (not that it’s a bad thing, I just want a new album!) all I’ve gotten (until this week) was a re-issue of MADV with some extra tracks. While this track is a little less “electro-pop” than most of their debut, it shows them moving in a great direction (channeling their softer, sweeter side they showed on Oh, It’s Love), and I, for one, find myself even more excited for a new album from this bunch. You can get a copy of the When We First Met mini EP by signing up at their 
I have featured songs on the 5SF before that I heard playing in the background of a show before, and this is one of those tracks. Those of you that watched the season premiere of Dollhouse will probably recognize this one; it was played during the first 10 or so minutes of the season premiere, and I loved it so much I had to have it. Luckily, a quick google search of the lyrics, and I was in business. I love the lyrics, and the delicate arrangement. When I first heard it, I knew there was something familiar about the song, and when I found it, I discovered that the male vocal was none other than William Fitzsimmons (who I found randomly not so long ago as well)! The final bridge/chorus where their voices intertwine and harmonize is fucking unbelievably beautiful. I am glad that the music producers of the show chose it, and I am glad that I could hunt it down and share it with you guys as one of today’s selected tracks. 
When I heard that Newton had released a new album, Rebuilt by Humans, the follow up to his Hand Built By Robots, I’ll be honest, I wasn’t terribly interested. While I really fell in love with Dream Catch Me, the major single from HBBR, it took me a while to get into it, but when I did, I was hooked. However, that interest eventually fizzled, when the rest of the album didn’t really gel for me. Well, one of you guys (thanks 
I will be totally honest, and get this out of the way right up front; I have been sitting on this one for a while now. While I loved this song the first time I heard it, I could only get my hands on a boot-leg, low quality version of it; but that all changed this week. Now that I’ve got the goods, I am more than happy to get the word out about the new amazing single from this Danish sensation; who previously filled me with shrieks of delight when I heard their amazing single, Fascination. While their entire debut album, This is Alphabeat, never really struck as strong of a chord with me as Fascination did, I never turned my attention completely away from these guys, as I knew they were capable of repeating that greatness again. With The Spell, they have totally captivated my attention once again with an extremely strong, catchy single, and I can only hope that the second time is the charm for me with Alphabeat. In the meantime, I can’t stop dancing around to this wonderful track.
Yes, you are reading that right: I am featuring a song by Third Eye Blind, and no, it isn’t 1997! Most people probably think of the late nineties when they think of Third Eye Blind, because that was when they had the most success with radio mainstays Semi-Charmed Kind of Life, How’s It Going To Be, and Jumper. I randomly noticed they had released a new album recently, when I stumbled onto the stop-motiontastic video for Don’t Believe A Word. While the song didn’t fully draw me in initially, there was something about it that I really liked, and as such, I downloaded it. After a few listens, I realized it was the amazing riff that they utilize during the chorus that I loved. I always really liked his voice, and the song overall has proven to be quite the earworm. If you don’t count the part where he screams “you whore I’ll fucking kill you” right before the first chorus, I would venture a guess that Third Eye Blind could have another mainstream hit on their hands; more than 10 years after their successful debut. 
William is yet another fantastic discovery that I came to via nothing more than a picture of the bearded singer. Sometimes, all it takes is some bearded goodness to get me interested, and luckily, William’s music is so beautiful that it drew me in even deeper. I discovered his album The Sparrow and The Crow through iTunes, where it was just released back in April; even though searches on the internets show that it actually came out late in 2008. I might have to ignore that fact, because this fantastic folk album could easily find a spot on my top albums of 2009, because it is incredibly beautiful, and each song is even more beautiful as the last. I have a weak spot for those bearded folk guys… what can I say? And it doesn’t hurt when they are incredibly talented to boot!
Matt’s 2007 release, Some Mad Hope, actually made my year end best of list, but recently, I gave it another listen, and remembered how much I loved it. I love his vocals and the way in which he weaves a pop rock anthem. This was one of those experiences when I “re-discover” something on my ipod, something that I hadn’t listened to in such a long time for no other reason than I hadn’t thought to. Matt’s single, Come On Get Higher is making the rounds on radio right now (part of the reason I dusted his album off and gave it another listen), and I hope that he will release Gone as a single too; both are favorites of mine from the album. I can’t wait for new material from Matt, and I hope that his success will signal something new very soon.
This is the free download of the week on the UK’s iTunes, which is awesome for them, but unfortunate for us; since we can’t download it in the US. However, some searching the internet proved fruitful, and I was able to find this amazing track to bring to you today. I love the blaring backing snyth of this track, and the pulsating beats that go along with it. It really reminds me of a recent discovery, Miike Snow, with a similar energy and ferocity to it. I hope that when Dan finally releases his album that it is filled with more great songs like this one; because this song is fantastic.
Perhaps one of the funniest names of a seriously amazing dance band, Booty Luv recently released their new single, Say It, and I have been LOVING it more and more with each listen. It has a similar floor stomping beat that the best tracks off of their debut, Boogie Tonight, had when it was released back in 2007. I am hoping that this song is an indication of what we have to look forward to on Booty Luv’s highly anticipated follow up. If that truly is the case, the release date can’t come soon enough. This song makes me want to fucking dance all night long, and is definitely one of their best to date.
Little Boots is one of those greatly hyped acts that for whatever reason, I grew instantly skeptical of. Perhaps it is the stubborn side of me that likes to make things difficult, but whatever it is, it made me ignore Little Boots’ release Hands (other than my instant love for previously featured track, New In Town). Well, in steps one of you guys (fellow music blogger