UPDATE: Please notice that I added a link to at least one song by each artist, so you can listen to that song on youtube. Enjoy!
26: Matthew Barber – Ghost Notes 
Matthew’s stripped down, beautiful acoustic folk-rock really took me be surprise; when I stumbled on his song, Easily Bruised, I really wasn’t expecting to find an entire album that was so equally wonderful. Vocally, Matthew bears some similarities to Ryan Adams, Bob Dylan, and Bruce Springsteen, yet he crafts his own tender precision with each song on Ghost Notes. Matthew’s musical style blends the delicate elements of folk, peppered with hints of a country twinge throughout the album; which, combined with the beautiful imagery in his lyrics, makes Ghost Notes a truly beautiful collection of songs. I think that it is his stripped down side that highlights his talent best, as some of the slowest, and most delicate songs on the album are above and beyond his best; such as the amazing track, and perhaps my favorite from the album, Where the River Bends. I will say right again, that this album was a pleasant surprise, and a great random find for me this year; I am more than pleased I heard it, as I knew right away it would definitely be amongst my favorites from this year… and as you can see, it certainly is. Standout Tracks: Where The River Bends; Modern Woman; Easily Bruised; Somebody, Sometime.
27: Anouk – For Bitter Or Worse
I first became aware of the Dutch singer Anouk when I heard her amazing song Lost a year or so ago; but it wasn’t until For Bitter or Worse that I can actually say that I truly got into her music. I noticed that she was releasing a new album this year, and after hearing the AMAZING lead single, Three Days in a Row, and the sheer vocal talent that she effortlessly throws about in that song (especially the incredibly crescendo at 3:16 seconds… um, can I get a WOW?), I knew I had to do myself a favor, check out the rest of this album. I’m glad that I did, because overall, For Bitter or Worse is fantastic. Anouk’s strongest attribute is her gritty, impressive voice, but she also weaves beautiful melodies with well written lyrics throughout the album, and together, they make for a truly weathered and very professional sounding rock album. After hearing this album for the first time, the only question I was left with, was WHY on earth is this woman not massively famous in the United States; or even globally, for that matter? Talent is clearly not the issue here (that voice!), and as such, it is certainly a wonder as to why Anouk isn’t more of a household name outside of her home country; she makes music that is nothing short of impressive. Regardless of how famous she ends up being here in the States, I can tell you one thing; with this album, she has definitely made a fan out of me. Standout Tracks: Lay It Down, Three Days in a Row, Woman, For Bitter or Worse.
28: Peter Bjorn and John – Living Thing
I fell in love with Peter Bjorn and John with their amazing album Writer’s Block. After hearing their new single, Nothing to Worry About, I was worried if that love would continue for their new album, because the song actually annoyed me at first. However, once I heard the song a few times, I found the PB and J in it that I loved, and I slowly, but surely came around. With the release of Living Thing, I will admit, that I wasn’t sold at first; missing this time, were the clever whistling and the insanely catchy indie pop that filled Writer’s Block, and in their place, was a noticeably harder, and more experimental edge to each song. However, much like the first single, I slowly came around, and ended up finding the root of Peter Bjorn and John at the heart of the album, and liking it as well. A few of the songs, like It Don’t Move Me, I got into instantly, because they are completely and utterly brilliant; and highlight just how talented Peter Bjorn and John are. It just goes to show, that there are bands out there that are capable of so much, that you never know what piece of their seemingly endless spectrum they are going to show you; and with Living Thing, Peter Bjorn and John have shown that they are definitely one of those bands. Standout Tracks: It Don’t Move Me, Nothing To Worry About, Just The Past, Last Night.
29: Jack Penate – Everything Is New
I’m going to start by saying how glad I am that Jack took a different direction for his aptly titled sophomore album, Everything Is New. While I enjoyed some of the rockabilly style he harnessed on his debut, it is definitely the more pop sensible Jack that I prefer. With this album, Jack focuses his effort on building true orchestrations, and in doing so, crafts elegant and grandiose pop arrangements on practically every track. While it is what many would consider a short album, clocking in at just shy of 34 minutes with 9 tracks, Jack has shown a great attention to detail this time around, and avoids the pitfall of having each song sound incredibly similar to the one that preceded it (as was the case with most of his debut). The elegance and beauty on this album highlights a really talented pop musician; one who has learned how to better utilize his rock and roll roots. For me, the deep (and at times, playful) beats, the horns, and the recorded-in-a-concert-hall feel that practically every track as to it, coupled with Jack’s tender, yet earnest vocals, make this album an enjoyable listening experience throughout. Standout Tracks: Pull My Heart Away, Be The One, Let’s All Die.
30: Noisettes – Wild Young Hearts
When I first heard Don’t Upset the Rhythm, I knew instantly that I had something to look forward to this year from The Noisettes. What followed, was the impressive Wild Young Hearts, an album that highlights not only a talented vocalist, but a band that draws on classic elements and playful melodies. The impressive and beautiful voice of Shingai Shoniwa will have you thinking you are listening to something straight out of 50s or 60s Motown, but the blaring guitars and thumping drum beats will remind you that you are actually hearing something fresh in 2009. This album follows the trend that Amy Winehouse reinvigorated with her 2007 effort, Back to Black, and continues the revitalization of that throwback sound today. What I loved most about this album, was the familiarity that permeated many of the tracks; like how parts of Never Forget You have a musical similarity to the theme song to Laverne and Shirley. While I fell instantly for the lead single, and quickly hopped on board with continued love for the album upon its release, I would definitely have to say that this is one of those albums that I should have spent a little more time with this year. Standout Tracks: Don’t Upset the Rhythm, Atticus, Never Forget You.
31: Kelly Clarkson – All I Ever Wanted
Starting off with the massive single, My Life Would Suck Without You, Kelly’s fourth album starts strong, and offers a much more radio-friendly album than her previous effort. Kelly’s voice is better than ever, and she soars in and out of rock-heavy break up anthems, and reigns it in for the tender ballads. Overall, the Kelly Clarkson that I fell for with Breakaway is back, and it is almost like the lackluster album between these two albums never happened. Kelly rightfully claimed a lot of chart success this year, and given the number of strong single-ready tracks left on All I Ever Wanted, I suspect that she will keep going strong in 2010 with the momentum off of this album. My only negative critique of this album concerns the tracks that fill the middle of the album, and distract away from the clearly superior, clearly single-worthy tracks. While these tracks can certainly be blamed for dragging Kelly down on my favorites list this year, I’m just glad that the chart-dominating Kelly Clarkson is back. Standout Tracks: Don’t Let Me Stop You (THIS MUST BE A SINGLE!), My Life Would Suck Without You, Ready, I Do Not Hook Up.
I resisted La Roux for quite a while before she clawed her way into my heart with that shrill-ass voice coupled with a velvety smooth beat. While, as I mentioned, the vocals are something to definitely, um, “get used to”, the music is not. This song is definitely one that begs to be blasted from every car stereo as you drive about in the summer heat, and promises to fill dance floors throughout the land. The uber-catchy quality of this song is what allowed me to give it chance after chance, and eventually get used to the vocals (which it may seem that I am harping on, but cannot stress enough, you will get used to); the music is too fucking good to let it get in the way. This is definitely a “song of the summer” for sure.
HELL FUCKING YES, Imogen Heap is BACK! WAAAAY back in 2005, Imogen released her stellar sophomore album, Speak For Yourself, and while I didn’t hear it until some time later, it completely blew me away with how amazing it is. The most amazing song on the album, Hide and Seek, made me fall deeply in love with Imogen’s unique voice, and the manner in which she creates music that is not only beautiful, but unique and interesting. The rest of the album resonated very well with me, and made me a huge fan of her sound, and had me waiting with baited breath for a follow up. Well, that follow up is just on the horizon; her new album Ellipse will be released the day before my birthday, August 25, 2009. This is the first, and quite fantastic, single from the new album, and it harnesses her trademark sound from Speak for Yourself. If this is an indicator of how fantastic Ellipse will surely be, I expect it to be amongst my top albums of this year.
This is the little song that threw its lasso around my heart, pulled me in close, and comforted me like a warm blanket on a cold night. The tenderness of Toby’s vocals, coupled with the sweet folk-pop music makes for a beautiful ballad; one that only gets better with the super sweet sentiment of the lyrics. I should also say that there are several words that just make me happy when I hear them, especially in songs (for whatever reason, I don’t know…), and unfurled is one of them, and he uses it in the chorus; which obviously makes me happy. This is a sweet song with great sentiment, and highlights the surprising power in Toby’s vocals. It was a great random find.
I am going to go “old school” with you on this one. I discovered this song from an amazing little movie that most people have never even heard of: 
This is one of those songs that came on the radio, and I wanted to change it, but I decided instead to see where it would go. Then, the riff of the chorus cut in, and I was instantly glad I stuck around; it is brilliant!! White Lies reminds me a lot of fellow Brit rockers, the Kaiser Chiefs, the lead singer’s voice sounds very similar to Julian Hamilton of the Presets. This fast paced post punk rock track is just a lot of fun, as I mentioned, it was that jangly guitar riff that reeled me in, and I can’t get enough of it. I listened to the rest of their album, and was pleasantly surprised to find that the rest of the tracks are quite good as well. This song was a great random find, and I am excited to be featuring it this week.
I will be honest; when I found out that this was the new Peter Bjorn and John song, I was extremely disappointed. It was almost annoying, and is a real departure to their uber-catchy previous album (which made my year end list for 2007). However, I couldn’t seem to escape this track, because it kept coming on the radio, and as such, I got pulled in by the pops and claps, and slowly, I really warmed up to this song. After seeing the silly video, I was sort of hooked. It was almost like a light switch in my brain; I hated it at first, and now I am listening to it on repeat. It’s weird how that works sometimes, isn’t it? I can’t wait to hear the rest of the album, which should be out soon; I only hope that it is something that I will enjoy instantly, and if not, something worth giving the time to get into it properly.
Based on the type of music that I typically post, I bet that it would surprise many of you that I used to listen to dance music almost exclusively. I was a DJ in college, and I had pretty much every hot dance track that came out, and kept my insatiable appetite for new, hot dance music afloat by having several friends (and another DJ) who were into the same club pounding beats. I attribute my constant hunger for dance music to the fact that I used to go dancing a lot, but as I have gotten older, my time at the clubs as diminished. I still love dance music, and still have a LOT of it on my ipod, but it isn’t the only thing I listen to anymore (which again, is evident when you look at my music suggestions here on this blog). However, I still know when I have heard something amazing, and this is one of those songs that just gets me moving. I heard it on BPM earlier this month, and I am glad to have discovered this track, so that I can add it to my massive and wonderful dance music collection. We all need to dance every once and while, and with great dance music like this, it’s hard not to!
Perhaps this will further lend insight into my all-dance music, all-of-the-time previous listening habits. I first heard this song when I was in Europe in the winter of 2000, where it was climbing the charts, and being played everywhere I seemed to be in London. Well, I bought a great mix compilation (they have so many GREAT ones in the UK… why don’t we have any good ones here?!) that had this song on it, and I literally played it on repeat for months. I have been talking about how I have been going back through my massive music collection in an attempt to pay well deserved attention to many of my “forgotten” favorites for a few weeks now, and I remembered this track, and recently threw it back on my ipod. The UK Garage beat of this track is what I was attracted to, and is a type of dance music that I am surprised never caught on over here in the US. It is fast, fun, and totally dance. I love some Posh Spice, and for me, this is definitely one of the best things she has ever contributed to musically. 
“Technically” 
was released in 2006, but since it was re-released here in the states in early 2007, it can “technically” make my year end list. Now that I have gotten that out of the way, I get to talk about why a potentially amazing album did not make it to a higher spot on my year end list.