Propelled by a powerful, rock infused cover that identifies the record’s namesake, The Story,by Brandi Carlile, represents itself as what it truly is: a magnificently orchestrated album. Comparison to the Indigo Girls is unavoidable, so it’s best to get it out of the way right away. That similarity is even present on the record, where Brandi teams up with them on the song Canonball. However, despite the strong similarities, The Story is a great indication that Brandi definitely can carry herself nicely as a solo artist. Brandi brings an impassioned performance on The Story, that reverberates right through you every time her voice cracks at the height of her song’s emotion. There is no doubt, after listening to Brandi perform on this record, that she is passionate about the music she is making; it is clear and refreshing to hear in her performance.
One of the things that I like best about Brandi’s record, is that it brings a fresh rock, and occasionally, a country-western quality to that folk-driven rock sound that I love so much. She takes influences from the Indigo Girls (again, the comparison is not only unavoidable, but I think it works to her advantage), and layers on electric guitars and uses her voice as perhaps the most important instrument in her arsenal. Her voice is powerful, and full of passion. It has a smoky quality, like that of Bonnie Raitt, and even though this isn’t a live recording, you really can get the feeling that you are truly there seeing her perform right in front of you.
If you are a fan of folk-pop-rock, and if you are a fan of the Indigo Girls, you will LOVE Brandi Carlile; in fact, I think that is why I love her so much (I am a huge fan of the Indigo Girls). However, don’t write her off as a clone, it isn’t that she “copy’s” them, as much as she finds a corner of the genre where she works in her own intricacies; which really serve to make it her own. With her singular voice, and the layers in her sound, she carves out a little niche of her own, and even brings some surprises along for the ride. On one song in particular, Have You Ever, she harnesses a strong feeling of the Shins, and creates something beautiful. Another welcome surprise, is when she channels Dolly Parton to serenade you on Josephine, and the result is just as beautiful.
Overall, this is a fantastic album, and one that I have enjoyed getting to know this year. For whatever reason, this CD failed to break through to the top of my list, perhaps because of the feeling that the record starts to fade out a little after the halfway mark; but the album is still wonderful throughout.
Favorites from The Story:
Have You Ever
[audio:http://www.duanemoody.com/audio/bc-haveyouever.mp3]
Turpentine
[audio:http://www.duanemoody.com/audio/bc-turpentine.mp3]
Josephine
[audio:http://www.duanemoody.com/audio/bc-josephine.mp3]
Canonball, and The Story (links are for youtube action).
Rating: 

Initially, I was so blown away by the record
“Technically”
Here we are at 21, with Westlife, and it should be clear by now; there is no stopping the pop on this year end list! Seriously, though, did you really expect anything else? You will find a few rock/indie albums stashed here and there, but I am a boy who loves pop, and is more than willing to embrace it and share that information with the world.
Now, I am sure that this comes as no surprise to many of you, who know that I have been a Britney fan since day one. However, as much as I love Britney, you must know that she is not the main reason that her album made my year end list. I will say it honestly; it has a lot to do with the producers, baby (I’m thanking you, specifically, Danja, Pharrell, Bloodshy, and Avant!). If there is one thing that did go right with Britney when she was making this record, was the ability to pick some amazing and up and coming producers to bring the noise, and bring it hard. The result, is an album that is comprised of single after single; and if she were in a place in her life where she could take advantage of it, this truly would have been her comeback. Sadly, though, I don’t think Britney is willing to use this massive gift that she has been given; a true second chance.
It is no secret that the “land down under” is full of some great surprises; for proof, just look at yesterday’s featured CD by the fabulous Kylie Minogue. Well, this next “diva” from down under found her start a little differently than Kylie; Ricki-Lee was one of the quite amazing contestants on Australian Idol. While people will continue to blast those shows for their fairly pegged vapid fluff, there is one thing that can’t be denied; these shows really do find people that can sing. Sure, there will always be the duds, but occasionally, there is a shining star in there, and occasionally, they are given the chance to shine… which is the case with Ricki-Lee.
I will start by saying that I have never considered myself a “Kylie fan”. Sure, I enjoyed some of the songs from Fever (the album with the massive hit Can’t Get You Out of My Head); but other than that, I just haven’t really paid much attention to the “cult of Kylie”. Many friends have deemed me a “bad gay”, and said that I should have a corner of my gay card torn off for not owning all of Kyle’s albums, but I have never seen the allure… that is, until now.
As one of two ex-Sugababes that released an album this year, Siobhan is definitely my favorite. Her voice is ethereal and powerful. I downloaded this album long before it was released on the suggestion from one of those fabulous pop sites, and I must admit, that I was instantly taken aback by how interesting many of the songs sounded.
I will be the first to admit that I initially wrote Hilary Duff off, especially after one of her biggest hits to date happened to be a kind of annoying song called “So Yesterday”. However, when I heard the lead off single for her new album