The time has finally arrived; here is the best of the best in music from 2009. These are the five albums that I loved the most, and when I say that it was hard to rank them, believe me; these are certainly the cream of the music crop from 2009.
1: A Camp – Colonia
Featured in the very first 5SF of the year, A Camp’s Stronger than Jesus was the song that I had been literally waiting on for years, and a song that would map out what I could expect from what turned out to be my favorite album of 2009. When I say I waited for it for years, what I mean, is that I was so hungry for something new from A Camp after falling so hard for their amazing self-titled debut album (which came out waaaaay back in 2001!), that I just couldn’t believe that my dream was coming true so early on in 2009; and what a wonderful dream it would turn out to be. The release of Colonia was like being embraced by a warm hug from a long-lost friend, or like snuggling under your favorite blanket on a cold winter’s day; it just feels good from beginning to end. Nina Persson is one of my all time favorite female vocalists and musicians, and what started out as a side project during hiatus time with the Cardigans, has clearly grown into something mature and amazing. Together with her husband and their fellow bandmate, A Camp has become something of a phenomenon for me, capturing my attention wholly and completely with their work. Their song writing ability is powerful and the imagery invoked is powerful. I knew very, very early on that it was going to take a lot to beat out this album for my top spot in 2009, and as you can clearly see, nothing did. For me, this is an album that should be talked about much more than it was/is, which is certainly a shame, because it is fantastic from beginning to end. There isn’t a single place where this album isn’t wonderful, and I am just so pleased that it turned out to be such a wonderful effort from A Camp; one that surprised me in how easily it surpasses the brilliance of their debut. While one of my favorite bands of all time, The Cardigans, may be on (seemingly indefinite) hiatus, I take comfort and joy in knowing that lead singer Nina Persson and A Camp soldier on, and are bringing me some of the best indie-pop music out there today. A Camp, please don’t wait so long to bring your brilliance to the table again, because after this incredible and delicious taste, it would just be cruel to leave us for so long again. Simply put; this album is incredibly amazing. Standout Tracks: Bear On The Beach, Stronger Than Jesus, Chinatown, Golden Teeth and Silver Medals, Love Has Left the Room, The Weed Got Here First, My America.
2: Antony and the Johnsons – The Crying Light
I have to say one thing first about Antony and the Johnsons before I get into their amazing album The Crying Light; you will either fall head over heels in love with them, or you will probably hate them completely. I will openly admit that I started off in the hate column with regards to Antony and the Johnsons, because honestly, I don’t think that I truly got it. It was curiosity that brought me to them, because of how many people were talking about them; but it took several listens to their previous album, I Am a Bird Now, before something changed within me, and I found myself strongly in the love column forevermore. I gave myself over to the truly emotive and fragile nature that is Antony and the Johnsons, and the process, I found something so nuanced and beautiful that I am thankful I allowed myself to enjoy it. With regards to their newest release, The Crying Light, I can say, with unwavering conviction that this album is purely, and utterly, perfect. From the amazingly vivid lyrics, to the achingly beautiful performances (both vocally and musically), there really isn’t anything that you could say negatively about this album; well, perhaps nothing other than it just isn’t long enough, because I just don’t want it to end. Listen after listen, I took in each tender, well crafted experience that each song created, and I found that this is definitely one of those albums that could be labeled as a true classic at some point in the future. This is how music SHOULD be made. It surprised me the first time I heard this album, because of just how amazing it really is. Another World, the pinnacle of the album, came in a first taste on the EP of the same name, and truly is an epic masterpiece of music. The rest of the album compliments it, and even builds upon its foundation of beauty, making this easily one of the best albums I heard in 2009. With The Crying Light, Antony and the Johnsons have honestly moved me with their music (and continue to do so with each listen); and that’s powerful stuff indeed. Standout Tracks: Another World, Epilepsy is Dancing, The Crying Light, Dust and Water, Kiss My Name, Everglade.
3: Gossip – Music For Men
I will admit that in the beginning, I had a love/hate relationship with the Gossip. I wanted to love everything that they did, and I hated myself because I didn’t. It wasn’t until I saw the amazing live performance of Standing In The Way of Control that I got what Gossip was all about. Beth Ditto’s incredible vocals, backed by the emotive and hard hitting rock and roll sounds of the Gossip literally had me shaking my head, wondering why in the hell it took me so long to get on board; but it wasn’t until Music For Men that I totally committed to the power of the Gossip. With this album, they channeled Beth Ditto’s iconic vocals onto track after track of well polished, down and dirty, and masterful rock and roll. It’s hard to imagine that these guys aren’t having a good time while they make music like this, because when I hear it, it makes want to get up and dance until my legs fall off. When I listen to this album, I want to fucking ROCK. Overall, this album captured me, threw me in the trunk, and refused to release ransom demands, because there was no way it was going to let me go; and I am glad that it didn’t. This album made a huge splash with me in 2009, and it is one that continues to grow on me more and more with each listen; I literally, just cannot get enough of the Gossip’s Music For Men. Standout Tracks: Pop Goes the World, 8th Wonder, Heavy Cross, Men In Love, Love Long Distance, 2012.
4: Miike Snow – Miike Snow
This was definitely “from out of left field” album discoveries for me. I was looking through recently released stuff on iTunes, and this crazy cover captured my attention, so I figured I’d give it a listen; and boy, I am glad I did. Miike Snow is comprised of Swedish MEGA producers Bloodshy and Avant (they did Britney’s Toxic, for one), along with American Andrew Wyatt; and together, I can definitely say, that they made one of the most brilliant albums of 2009. Slick production, catchy rhythms, and danceable beats made this one of my most enjoyable finds early on in 2009; and one that was so consistently good, that it stayed with me throughout the rest of the year. Miike Snow’s self titled debut is one of those albums that I was screaming about early on, and after a while it seemed like everyone started catching on to how amazing the album truly is. There truly isn’t a bad song on the album, and save one track (the more downtrodden Sylvia), I can say that I truly love every track on this record. This is a truly impressive debut album, but it should be no surprise; especially when you consider what these guys brought to the table to begin with. Standout Tracks: Animal, Horse is Not a Home, Song For No One, In Search Of, Burial.
5: The Saturdays – Wordshaker
While their first single lacked the oomph I was was looking for, and did give me quick worry that it was a lackluster sign of what would be too quick of a follow up to their impressive debut, it did manage to grow on me quite quickly. As it grew on me, my anticipation for the forthcoming album grew, and it would be what followed the opening track that would be nothing short of pop perfection; Here Standing is hands down, one of the best songs of not only 2009, but one of the best pop songs I have heard in many, many years. Thankfully, it doesn’t stop there; as the album goes on, track after track, the pure, deliciousness of well made pop songs just keep coming. Even though it initially seemed that they had churned out another album “too soon”, what happened instead, was the Saturdays moved in and took the spot left open by Girls Aloud and the now defunct Sugababes; and in doing so they have taken the reigns of girl-group pop, and driven us to the next level. This album is FULL of singles, and it is was definitely a welcome addition to my music collection for 2009. While this is an album that I fully expect to see many more singles from, and one that (if given the proper chance), COULD be a possible crossover to the US for them, sadly, it will probably not happen as has been the case for most that have come before The Saturdays. However, it does make me feel better, that at least I was able to discover this gem, and share my glee and sheer delight for the Saturdays’ amazing contribution to pop music with Wordshaker, because pop music this good shouldn’t be missed; and if you stick with me, I will do my best to spread the word to all of you. If this album is any signal as to where the Saturdays are headed next, I think we can safely say that we should have known all along, because they told us back with their second single; they were going UP! Standout Tracks: Here Standing, Open Up, Lose Control, Ego, No One, Not Good Enough.
William is yet another fantastic discovery that I came to via nothing more than a picture of the bearded singer. Sometimes, all it takes is some bearded goodness to get me interested, and luckily, William’s music is so beautiful that it drew me in even deeper. I discovered his album The Sparrow and The Crow through iTunes, where it was just released back in April; even though searches on the internets show that it actually came out late in 2008. I might have to ignore that fact, because this fantastic folk album could easily find a spot on my top albums of 2009, because it is incredibly beautiful, and each song is even more beautiful as the last. I have a weak spot for those bearded folk guys… what can I say? And it doesn’t hurt when they are incredibly talented to boot!
Matt’s 2007 release, Some Mad Hope, actually made my year end best of list, but recently, I gave it another listen, and remembered how much I loved it. I love his vocals and the way in which he weaves a pop rock anthem. This was one of those experiences when I “re-discover” something on my ipod, something that I hadn’t listened to in such a long time for no other reason than I hadn’t thought to. Matt’s single, Come On Get Higher is making the rounds on radio right now (part of the reason I dusted his album off and gave it another listen), and I hope that he will release Gone as a single too; both are favorites of mine from the album. I can’t wait for new material from Matt, and I hope that his success will signal something new very soon.
This is the free download of the week on the UK’s iTunes, which is awesome for them, but unfortunate for us; since we can’t download it in the US. However, some searching the internet proved fruitful, and I was able to find this amazing track to bring to you today. I love the blaring backing snyth of this track, and the pulsating beats that go along with it. It really reminds me of a recent discovery, Miike Snow, with a similar energy and ferocity to it. I hope that when Dan finally releases his album that it is filled with more great songs like this one; because this song is fantastic.
Perhaps one of the funniest names of a seriously amazing dance band, Booty Luv recently released their new single, Say It, and I have been LOVING it more and more with each listen. It has a similar floor stomping beat that the best tracks off of their debut, Boogie Tonight, had when it was released back in 2007. I am hoping that this song is an indication of what we have to look forward to on Booty Luv’s highly anticipated follow up. If that truly is the case, the release date can’t come soon enough. This song makes me want to fucking dance all night long, and is definitely one of their best to date.
Little Boots is one of those greatly hyped acts that for whatever reason, I grew instantly skeptical of. Perhaps it is the stubborn side of me that likes to make things difficult, but whatever it is, it made me ignore Little Boots’ release Hands (other than my instant love for previously featured track, New In Town). Well, in steps one of you guys (fellow music blogger 
Not being a HUGE fan of hip hop, this song took me by major surprise! The first time I heard it, was all, “damn! I love this!!!”. It combines a bit of the “lady group” nature of Destiny’s Child, and blends it with the hotness of Amerie (ala One Thing), and together, it certainly has me trippin’. I love the beat, and the fact that all four ladies can sing. This song is ready for the clubs, and I am certainly adding it to my summer playlists. Wiggle wiggle wiggle girl… let’s get that dance on! 
Oh Robyn, how do I love thee? There are so many ways; almost too numerous to count! This track is a fantastic collaboration between Royksopp and Robyn, which I can almost BET Robyn played a big part in (it has her style all over it). If this is just another indication that the Robyn train isn’t slowing down any time soon, it makes me even more excited for her next album; and it makes me happy that in the meantime, she is working so well with other great artists out there. This is definitely the best song on Royskopp’s album, and they did themselves a major favor by working with Robyn. The synth on this track is deep, dark, and pulsating; making this song great for driving or dancing… just don’t do both at the same time!
I have also written about the super-talented Swedish singer, Erik Hassle, who released one of the most beautiful singles for 2009 with his amazing song, Hurtful. As much as I LOVE Hurtful, this song is just as powerful, and with each listen, I love it even more. I love the distorted electro backing track of the chorus, and the emphasis in which he says, “isn’t it obvious that I love you!?!”. It’s a well written track that has the emotive vocals to back up its sentiment, and I always turn up the dial when this one starts playing. AMAZING song. I just realized that he is the third song featured this week by a Swedish artist. Seriously, something AMAZING is going on in Sweden as far as music is concerned, and I hope it keeps on coming!
I actually heard of Butterfly Boucher a long time ago, because my buddy Deb really likes her, but it didn’t really stick with me, because I couldn’t find her album, as it seems she never got a proper release in the US. Cut to the here and now: Apparently, being on Grey’s Anatomy is the KEY to success, because after this song was on the show, her album has found its way onto iTunes, where I saw it, and was intrigued (having heard of her before). I don’t watch Grey’s, so I heard this song when I sampled the album, and it is epic, haunting, and achingly beautiful. I hope that Butterfly gets more exposure with this album, because songs like this are too wonderful to be ignored.
I heard about Parachute through iTunes as well, because they offered up one of their songs as a free download a few weeks back. While I thought that track was just okay, I checked out some of the other songs on their album, and this song blew me away. It is really beautiful, and it makes me glad that iTunes introduces people to some great music; even if it is by way of a different song from the same album. This song is a delicate rock-pop ballad that reminds me of the sweet softness of songs by artists like Joshua Radin, and I can’t get enough of its goodness. 
I love Mat Kearney. I have for a while now. Not only is his voice swoon-worthy, but he is quite the handsome fellow. I mentioned a few weeks back that he was one of the people that I wanted to come out with a new album already (because of how much I loved his first record, Nothing Left To Lose), and it was then that I noticed he was releasing the follow up this month. I finally got my hands on the City of Black and White this week, and all I can say is WOW. With the first listen, I was blown away. Seriously, this is one of the best albums of the year for me, by far. This is one of my favorite tracks from the album, and as I mentioned, I fully expect to see this album near the very top of my year end best of list. Mat certainly did not disappoint with his sophomore album, and I only hope his career consists of more amazing albums like this one. With this release, he has solidified himself a place amongst my favorite artists.
Guilty pleasure alert!!! I normally don’t like a lot of the more “hard core” hip-hop/rap, but this track just screams in ecstasy to the wannabe thuggish girl that lives within me. Not only that, but this video is fucking fierce, and Beyonce is just too damn hot on this track to ignore. I will admit that the first time I heard this song, I really didn’t like it, but that was because I didn’t fully understand how to appreciate it. It is exactly like Kelis’ amazing song, Bossy for me; when I first heard it, I didn’t appreciate the amazingness of it. Well, now I do, and I can tell you, that thug girl living within me wants to be a damn diva… and if she were, this would be her bitch ass theme song. Perhaps what I love the most about this song, is that we now know to watch out, because Bey will cut a bitch, for sure.
Finally today, the one hit wonder from the 90’s I promised. I remember hearing this song my junior year of high school, and back in those days, they didn’t have mix CDs, and the only way to get a copy of a song was to record it off of the radio, or go out and buy the damn CD. If you were lucky enough, the band would release a single, but low and behold, in this case, they didn’t (not that I could find anyway). So, I plunked down $16 for a CD, for one song. However, this song got LOTS of play, and has one of the catchiest courses that I have ever heard, and one that still makes me smile. I have no fucking idea what “we love the only all of you” means, but I don’t fucking care; that guitar riff is like irresistible, sweet cotton candy, and I can’t get enough.