Yes, I know, it’s been a little while. My apologies. I have hit after hit for you today in order to make up for it though; does that make you want to forgive me? I hope you emphatically nodded yes when you read that statement. Now, let me introduce you to them hits, okay? There may even be a bonus track thrown in to sweeten the pot today. See how nice I am?
Logan Lynn – Quickly As We Pass
Let me start by saying a major thank you to my buddy Popmuse for alerting me to the amazingness that this track lays down. I cannot get enough of its synthy goodness. It is such a throwback to delicious 80’s styled glam driven pop, yet it is fresh, and updated digitally to fit perfectly alongside the “future” of pop music, like the stuff being made by acts like Calvin Harris and Mark Ronson. This is such an earworm, and I cannot stop listening. I love Logan Lynn’s sweet vocal style, and laid over this catchy track, it has me wondering why I don’t pay way more attention to this fabulous artist; perhaps now there is no time like the present!! Watch the video for Quickly As We Pass here. (Note: there is a little nudity in the video, possibly NSFW).
Yasmin – Finish Line
Lord knows I have thanked BBC Radio 1 in the past for turning me on to some amazing tunes, and here’s another shout out to perhaps my favorite radio station, that just happens to be located across the pond. I heard this song a couple of weeks ago, and I immediately jacked the volume up, and grabbed my phone to Shazam this gem; this song is gold!! While Yasmin may be signing about the Finish Line, I certainly hope she has more amazing stuff like this slated for the future, and this is more of a beginning than anything final. This is the type of music that should be on radio stations here in the US; as always, the UK is getting it right time and time again, way ahead of the game. Watch the video for Finish Line here.
Nicola Roberts – Beat of My Drum
After a couple of the other girls from Girls Aloud broke out on their own, and failed to fully blow me away, and sustain (to be fair, I did LOVE both Cheryl Cole’s Fight For This Love, and Nadine Cole’s Insatiable), out of nowhere, Nicola Roberts is BURNING IT UP. This track is hot, and just in time for summer! Produced by seemingly everywhere producer Diplo (he’s 1/2 of Major Lazer, and throws in a recognizable sound effect, which I can only assume is his calling card), and containing a heavy beat, killer chorus, and outlandish beats, this song has been burning up my ears since I first heard it a few weeks ago. This song begs to be danced to, and Nicola is commanding you in a way that Kelly Rowland would be proud. I hope that the rest of Nicola’s upcoming album is like this dance floor killer, because it if is, I think we may have found the one girl from Girls Aloud that stands a chance of holding her own stylistically and musically. While the style is totally different, it reminds me a bit of when Siobhan Donaghy made her amazing sophomore album Ghosts, after leaving Sugababes; you never know how talented one of the group is until they decide to go their own way and try something different. “L-O-V-E! Dance to the beat of my drum!” Absolutely!! Watch the video for Beat of My Drum here.
Nicole Scherzinger – Right There
FINALLY. Ladies and gentlemen, something that I have been waiting on for quite some time, may have finally happened; Nicole Scherzinger is going to break through the US market, and finally have a fucking SOLO HIT. While I did think that this sounded a bit Rihanna-ish the first time I heard it, I didn’t see that as a negative. In fact, I think it is exactly what Nicole needed to finally break through solo on her home turf; familiarity. So far, I have heard this on the local radio station a few times, and it seems to be making at least some ripples on the charts. While I doubt it will be a number one for her, I do think it will open the door for her in home country musically, and we may finally get to hear more and more solo stuff from the most talented Pussycat Doll. Ladies and gentlmen, Nicole Scherzinger is home, and hopefully, there’s more to come! And yes, 50 Cent’s cameo in the song/video is almost 100% unnecessary. Watch the video for Right There here.
DJ Fresh – Louder
What can I say? Again, the UK is killing it; this is the current number one hit in the UK. They are so far ahead of the pack sometimes, it just makes me wonder what the hell is going on in the US music scene. Dubstep is the “new” sensation in the UK, and is a style of music that I cannot get enough of. I am hoping that Dubstep makes more of a splash here than previous styles of music from the UK did stateside (most notably UK Garage, which I still fucking love; thanks to *N’SYNC for trying to make it happen, though!). This is such a great song for summer, and one that I am glad to have discovered, thanks again to my musical saviors over at BBC Radio 1. I love how the end of the song starts to get louder, faster, etc; it reminds me of Beyonce performing Suvivor live as she did on her concert DVD. Pure energy! Watch the video for Louder here.
Oh shit, did someone say bonus track? And now for a +1…
Beyonce – Rule the World (Girls)
Speaking of Beyonce… Well, 4 is out, and well, I’m underwhelmed. I wanted to love it, because I do love Beyonce, but I just didn’t. That being said, I had high hopes for this album, mostly because of how much I loved Run the World (Girls) as its lead single. In fact, I thought, that I had posted this song in a 5SF or something, because of how much I think this song is SICK, but I apparently didn’t, and as such, wanted to feature it as a bonus track (or a super-relevant Google+ approved +1) in this week’s 5SF. A lot of people were turned off by the Major Lazer sample throughout the song, but I have to say, that while YES, it does sound almost identical to Major Lazer’s Pon De Floor, please keep in mind that Switch produced the track, and he is 1/2 of Major Lazer (apparently it is a Major Lazer day for me today…). I think Beyonce’s vocals elevate the track, and put a fresh, and frankly sick-as-shit spin to it. I have been loving this song more and more with each listen, and I just wish that I didn’t stick out like a sore ass thumb on 4 (I was hoping for more like it on the album); but hey, you can’t win them all, can you? Watch the video for Run The World (Girls) here.
So what did you think? I hope you enjoyed these tracks. As always, let me know what you thought, and definitely tell me what you are listening to; you may see it on a future 5SF! Stay cool out there!!
Featured in the very first 5SF of the year, A Camp’s Stronger than Jesus was the song that I had been literally waiting on for years, and a song that would map out what I could expect from what turned out to be my favorite album of 2009. When I say I waited for it for years, what I mean, is that I was so hungry for something new from A Camp after falling so hard for their amazing self-titled debut album (which came out waaaaay back in 2001!), that I just couldn’t believe that my dream was coming true so early on in 2009; and what a wonderful dream it would turn out to be. The release of Colonia was like being embraced by a warm hug from a long-lost friend, or like snuggling under your favorite blanket on a cold winter’s day; it just feels good from beginning to end. Nina Persson is one of my all time favorite female vocalists and musicians, and what started out as a side project during hiatus time with the Cardigans, has clearly grown into something mature and amazing. Together with her husband and their fellow bandmate, A Camp has become something of a phenomenon for me, capturing my attention wholly and completely with their work. Their song writing ability is powerful and the imagery invoked is powerful. I knew very, very early on that it was going to take a lot to beat out this album for my top spot in 2009, and as you can clearly see, nothing did. For me, this is an album that should be talked about much more than it was/is, which is certainly a shame, because it is fantastic from beginning to end. There isn’t a single place where this album isn’t wonderful, and I am just so pleased that it turned out to be such a wonderful effort from A Camp; one that surprised me in how easily it surpasses the brilliance of their debut. While one of my favorite bands of all time, The Cardigans, may be on (seemingly indefinite) hiatus, I take comfort and joy in knowing that lead singer Nina Persson and A Camp soldier on, and are bringing me some of the best indie-pop music out there today. A Camp, please don’t wait so long to bring your brilliance to the table again, because after this incredible and delicious taste, it would just be cruel to leave us for so long again. Simply put; this album is incredibly amazing. Standout Tracks: Bear On The Beach, 
I have to say one thing first about Antony and the Johnsons before I get into their amazing album The Crying Light; you will either fall head over heels in love with them, or you will probably hate them completely. I will openly admit that I started off in the hate column with regards to Antony and the Johnsons, because honestly, I don’t think that I truly got it. It was curiosity that brought me to them, because of how many people were talking about them; but it took several listens to their previous album, I Am a Bird Now, before something changed within me, and I found myself strongly in the love column forevermore. I gave myself over to the truly emotive and fragile nature that is Antony and the Johnsons, and the process, I found something so nuanced and beautiful that I am thankful I allowed myself to enjoy it. With regards to their newest release, The Crying Light, I can say, with unwavering conviction that this album is purely, and utterly, perfect. From the amazingly vivid lyrics, to the achingly beautiful performances (both vocally and musically), there really isn’t anything that you could say negatively about this album; well, perhaps nothing other than it just isn’t long enough, because I just don’t want it to end. Listen after listen, I took in each tender, well crafted experience that each song created, and I found that this is definitely one of those albums that could be labeled as a true classic at some point in the future. This is how music SHOULD be made. It surprised me the first time I heard this album, because of just how amazing it really is. Another World, the pinnacle of the album, came in a first taste on the EP of the same name, and truly is an epic masterpiece of music. The rest of the album compliments it, and even builds upon its foundation of beauty, making this easily one of the best albums I heard in 2009. With The Crying Light, Antony and the Johnsons have honestly moved me with their music (and continue to do so with each listen); and that’s powerful stuff indeed. Standout Tracks: 
I will admit that in the beginning, I had a love/hate relationship with the Gossip. I wanted to love everything that they did, and I hated myself because I didn’t. It wasn’t until I saw the amazing live performance of Standing In The Way of Control that I got what Gossip was all about. Beth Ditto’s incredible vocals, backed by the emotive and hard hitting rock and roll sounds of the Gossip literally had me shaking my head, wondering why in the hell it took me so long to get on board; but it wasn’t until Music For Men that I totally committed to the power of the Gossip. With this album, they channeled Beth Ditto’s iconic vocals onto track after track of well polished, down and dirty, and masterful rock and roll. It’s hard to imagine that these guys aren’t having a good time while they make music like this, because when I hear it, it makes want to get up and dance until my legs fall off. When I listen to this album, I want to fucking ROCK. Overall, this album captured me, threw me in the trunk, and refused to release ransom demands, because there was no way it was going to let me go; and I am glad that it didn’t. This album made a huge splash with me in 2009, and it is one that continues to grow on me more and more with each listen; I literally, just cannot get enough of the Gossip’s Music For Men. Standout Tracks: Pop Goes the World, 8th Wonder, 
This was definitely “from out of left field” album discoveries for me. I was looking through recently released stuff on iTunes, and this crazy cover captured my attention, so I figured I’d give it a listen; and boy, I am glad I did. Miike Snow is comprised of Swedish MEGA producers Bloodshy and Avant (they did Britney’s Toxic, for one), along with American Andrew Wyatt; and together, I can definitely say, that they made one of the most brilliant albums of 2009. Slick production, catchy rhythms, and danceable beats made this one of my most enjoyable finds early on in 2009; and one that was so consistently good, that it stayed with me throughout the rest of the year. Miike Snow’s self titled debut is one of those albums that I was screaming about early on, and after a while it seemed like everyone started catching on to how amazing the album truly is. There truly isn’t a bad song on the album, and save one track (the more downtrodden Sylvia), I can say that I truly love every track on this record. This is a truly impressive debut album, but it should be no surprise; especially when you consider what these guys brought to the table to begin with. Standout Tracks: 
While their first single lacked the oomph I was was looking for, and did give me quick worry that it was a lackluster sign of what would be too quick of a follow up to their impressive debut, it did manage to grow on me quite quickly. As it grew on me, my anticipation for the forthcoming album grew, and it would be what followed the opening track that would be nothing short of pop perfection; Here Standing is hands down, one of the best songs of not only 2009, but one of the best pop songs I have heard in many, many years. Thankfully, it doesn’t stop there; as the album goes on, track after track, the pure, deliciousness of well made pop songs just keep coming. Even though it initially seemed that they had churned out another album “too soon”, what happened instead, was the Saturdays moved in and took the spot left open by Girls Aloud and the now defunct Sugababes; and in doing so they have taken the reigns of girl-group pop, and driven us to the next level. This album is FULL of singles, and it is was definitely a welcome addition to my music collection for 2009. While this is an album that I fully expect to see many more singles from, and one that (if given the proper chance), COULD be a possible crossover to the US for them, sadly, it will probably not happen as has been the case for most that have come before The Saturdays. However, it does make me feel better, that at least I was able to discover this gem, and share my glee and sheer delight for the Saturdays’ amazing contribution to pop music with Wordshaker, because pop music this good shouldn’t be missed; and if you stick with me, I will do my best to spread the word to all of you. If this album is any signal as to where the Saturdays are headed next, I think we can safely say that we should have known all along, because they told us back with their second single; they were going UP! Standout Tracks: 
I have been known to gush incessantly about some songs, but I try my best to reserve that for those that I am totally and utterly blow away by. Well, ladies and gents, this is one of those songs, and I am going to nothing short of tell everyone I know about this one. This song is immensely beautiful, and the arrangement is perfect. It is so good that I have to admit that I was actually kind of surprised by it. While I really liked their last album, this towers so high over anything they have done so far, that there really is no way that it wouldn’t take a fan even more diehard than myself by surprise. Don’t get me wrong, this is not a dig in any way to their previous work; they have some brilliant and amazing stuff out there already, but this song hits like the ultimate crescendo. Jared Leto’s voice soars alongside the building riffs and sends chills up my spine when he hits those high notes and sustains them so pitch perfectly. This takes everything they have done before and perfects it. I can’t heap enough praise on this track, and I cannot wait until their new album comes out; because if it is anything like this, it is going to be utterly brilliant. Simply put: AMAZING. 
I had a bit of a twitter/facebook snafu yesterday when I proclaimed my love for this song; when I accidentally said I liked Robin Williams’ Bodies. Well, let’s clear that up; THIS is the Bodies that I am heaping my praise on (well, I wouldn’t mind heaping some praise on Robbie Williams’ (not Robin Williams) actual body, but that is topic for another time and another place). Overall, whenever Robbie releases a new single, I always want to like it, and sometimes I do, but when I first heard Bodies, I didn’t. I think it was the hard distortion sound that accompanies the beat that turned me off at first. However, I have heard it a few times, and now I see how wrong I was; this song is beautiful and I actually love the hard distortion completely now! I realize now that I didn’t give it the chance that it so rightly deserves. This song is catchy, the arrangement is excellent, and Robbie’s voice is as beautiful as ever. 
Some of you probably wonder why in the hell I would be posting a Spanish song, but trust me, this song took me by much more surprise than you could possibly have for me featuring it. I have had a love hate relationship with Nelly Furtado; mostly, I LOVE all of her older stuff that I felt was more “her style”, and I practically HATE everything she did with Timbaland. I remember when Promiscuous came out, and I really liked it at first. However, that quickly turned to disdain, because with each subsequent single, I felt the Nelly I instantly fell in love with back in 2001 with I’m Like a Bird was completely gone. That troubled me, and as such, I kind of started ignoring her. It wasn’t until I saw the video (
Even though I am a fan of American Idol, I can’t say that there are many of those kids that I avidly kept following after they left the show. Katharine McPhee is one of the notable exceptions. After delivering an amazing, if not totally ignored (
Yes, the choice of this and the aforementioned Saturdays song are intentional; I love how the titles are so similar, yet so opposite to one another. I wanted to post a great song from Jennifer Hudson’s fantastic debut album, which came out earlier this week, and seeing the Saturdays song, and the title of this one, there is no way I couldn’t choose them both for today’s selection. I should start by saying that Jennifer Hudson has been a favorite of mine since her season of American Idol, and I have been watching this girl, just knowing that great things would come from her. Well, I have to say, that I have not been let down yet; her performance in Dreamgirls was amazing. Additionally, her new record, which is infused with ballads, pop songs, and even a few hip hop numbers, is a showcase that has succeeded in allowing her to show off her amazing voice. While this track admittedly isn’t the one that highlights her amazing instrument the best, it is a really fun track that I keep coming back to, and one that would most certainly be a hot single if it is chosen to be one. I hope that this record is just the first from Jennifer, because, based on what I have seen and heard so far, she is a real star, and a true talent, and one that should be around for a very long time. I am very pleased with her record, and glad that she took her time putting it out; every time I hear her sing, I am really, really impressed. I do have to say, however, that I wish T-Pain would quit with the vocoder. There is a song on the record that he guests on, and it is just too much. End the madness T-Pain!
Okay, I am going to make a pretty grand statement here, so get ready… This is probably the most powerful, well written, and amazing pop ballad of 2008. Will Young has released his fourth record, and he has proven (again) that he is way more than a flash in the pop pan; he plans on sticking around, and making some fabulous music while he’s here. As I mentioned last week, his record is a fantastic blend of jazz, pop, soul, and just overall musical greatness. It is definitely one of the albums of the year, in my opinion, and one that was well worth waiting for. Congratulations are in order for Will, who has succeeded in making another amazing album. And this song… well, I just cannot get enough of it. It is one of those songs that you hear, and think to yourself, “wow, that was pretty amazing, let’s hear that one again”, and then you listen to it again, and you realize not only that you were right, but that it was even better the second time around. It just keeps getting better with each listen for me, and it really makes me wonder why acts like Will Young aren’t popular here in the States. Oh well… at least I know about him, and can educate at least some of you about the pop brilliance that is Will Young.
So here’s the thing, apparently, he was the lead singer of a famous Britpop band called Suede… who I’ve never heard of. Okay, that may be a bad thing, considering how much I love pop music, but it is what it is. Now, I heard this song somewhere (I think it was iTunes), and I have to say, that it is literally, quite amazing. I have almost posted it several weeks before now, but it always got bumped for one reason or another; but this week, it is on the list! I love the feel of his vocals (they’re almost haunting me!), and the gentle piano that accompanies him on this track. This song is from his recently released solo album, which is his second one. Perhaps I need to spend some time exploring his past, and see how he got to this point, because this song is just amazingly beautiful, and I have been enjoying it for several weeks now. 
To start, I must unfortunately state that this is not actually the cover of the most recent Girls Aloud release, 
no matter how much I wish this fan created version really was (the real one is uber-plain and just downright boring). If you want to see that one, you can check it out on amazon.com… Now that I have gotten that off of my chest, I can begin to tell you about the campy goodness that is the new Girls Aloud album!