Well, I honestly didn’t think it would take me this long to get to this. It seems that when you work in healthcare, that you are so drained when you are home from work, that you just want to vegetate; well, at least, that seems to be my norm at least. Needless to say, I have been working all the darn time, and have far less time to blog and enjoy music than I would like. That being said, I do want to highlight the amazing albums that I fell in love with in 2012, and continue to enjoy now. Here are my favorite albums of 2012:
1. Mumford and Sons – Babel
No other album captured my attention in 2012 like Babel. This album builds on their previous album, Sigh No More, and brings a more well seasoned and polished, but somehow more raw and richer sound to the band. They are making the music that I love listening to most right now, and it is fair to say that I cannot get enough of Mumford and Sons. I was very happy to see them win a Grammy for the album of the year for Babel, because it is very, very well deserved. This is definitely the album I listened to the most in 2012, far and above all the rest. There isn’t a bad track on this disc, and it firmly cemented these guys as one of my favorite groups. Highlights: I Will Wait, Babel, Holland Road, Lover of the Light.
2. P!nk – The Truth About Love
I have loved P!nk for years, and like a fine wine, she seems to only be getting better with age. I had some high hopes for this album due to a very strong lead single with Blow Me (One Last Kiss), and my hopes and expectations were not only met, but completely blown away. I was fortunate enough to see P!nk live recently, and she is certainly growing stronger as an artist; and this album proves it. She has found her niche, honed her sound to her sensibilities, and she is making amazing music. She’s not only a great singer, but a clever song writer, and outstanding artist who has earned the respect that she so rightfully deserves. Definitely my favorite P!nk album so far. Highlights: Try, All We All We Are, Blow Me (One Last Kiss), Walk Of Shame.
3. Marina and the Diamonds – Electra Heart
Much like I Am Not A Robot generated overwhelming excitement for her debut, when I heard Radioactive, I was on the edge of my seat waiting for the sophomore album from the fabulous Marina and the Diamonds. While I did have to wait a little while (Radioactive was quietly released late in 2011), what I got was sheer delight. Marina is one of those artists that has such talent that it cannot be masked. This album only builds on her debut; she continues to make very strong, very well written and produced pop. It felt like she was growing and spreading her branches, looked out into what other areas she’d like to explore with her sound; and the result is spectacular. I was fortunate enough to see her live (finally!), and she was magnificent, as expected. As I have been doing for a while now, I will continue to keep my eyes and ears glued to the happenings and music of this fabulous pop chanteuse. Highlights: Primadonna, Radioactive, Lies, Power and Control, How To Be A Heartbreaker.
4. Of Monsters and Men – My Head is an Animal
You may have heard the kinda overplayed (not really, though, it’s a magnificent song that I am still firmly in love with) hit Little Talks, and thought, this is a lot like songs from Mumford and Sons and the Lumineers! And while it is in the same vein of folk driven rock, these guys have a quirk that begs for their own bit of the spotlight. After falling in love with Little Talks, I had to check out the rest of their album, My Head is an Animal, and I am glad I did; the entire album is full of well spun tapestries of folk rock with haunting Icelandic vocals from the band’s leads. The entire album is a delightful folk rock adventure that finds itself very welcome in this days popular music canon (It’s a folkspolsion!); and very prominent and in heavy rotation on my iPod as well. I love when a lead single takes you on a journey of fantastic musical discovery, which is exactly what happened here. Highlights: Little Talks, Dirty Paws, Love Love Love, King and Lionheart.
5. Benjamin Gibbard – Former Lives
What can I say, I am a sucker for this nerd-do-well’s swoon-inducing voice, and while it is a (slight, everso) bit tamer than a Death Cab for Cutie record, it is a fantastic mini-departure that sounds like something Benjamin has been waiting to get out for some time. It’s always a risk when a very well known band’s lead takes a step out from the front of the band to make a solo record, but in this case, it is a welcome and fanatic effort that is down right wonderful from beginning to end. Obviously, it isn’t TOO different from a Death Cab for Cutie album, seeing as he writes the songs and is the singer for the band, but it has a bit of a more country vibe that the band doesn’t really showcase. When I heard he was doing this album, I knew I would love it, and you know what, I do! Highlights: Bigger Than Love, Lady Adelaide, Lily, Dream Song.
6. Ke$ha – Warrior
This album was a giant surprise to me; both in how much I liked it, and in how good it turned out to be. I have continually tried to frown on Ke$ha as a one hit wonder, or a flash in the pan, but when Die Young refused to leave the airways, or my head, and I found myself tapping my toes in time with the downbeat each time I heard it, I knew that Ke$ha was more than growing on me; she’d already done it. When Warrior was released I figured I’d at least give it a listen, considering how much I like Die Young, and honestly, I couldn’t believe how much I enjoyed it; and kept enjoying it. It is fair to say that I couldn’t stop listening to this album, and I am glad that I gave in to “guilty” pleasure, and just enjoyed it for what it is; pure fun, trashy, never-taking-itself-seriously pop. However, speaking of guilty pleasures, as Dave Grohl said, “I don’t believe in guilty pleasures, I believe you should be able to like what you like. If you a like a fucking Ke$ha song, listen to fucking Ke$ha.”… it appears now, that he couldn’t be more right, and listen to Ke$ha I will. Highlights: C’mon, Die Young, Thinking of You, Last Goodbye.
7. Adam Lambert – Trespassing
I loved him on Idol, and unfortunately, I was a little bit disappointed by his debut album. That being said, when I heard the lead single, Better Than I Know Myself, I knew he had come into his own, and that this album would be the album that he wanted to make; and I was right. He clearly had a lot more input this time, and the result is a more mature record that really feels like a comfortable fit for him. His voice has never sounded better, and they highlight his incredible range a lot more on this album. This is the album I wish he would have made first, but I am glad he got the opportunity to follow up his debut with something this strong. He should be on the radio a LOT more than he is; this album is full of singles. Highlights: Better Than I Know Myself, Never Close Our Eyes, Broken English, Underneath.
8. Trampled by Turtles – Stars and Satellites
Yes, this is the third folk-rock/Americana album on my year end list, so you should have a sense of what kind of music I have fallen head over heels in love with, as of late. Someone was talking about Trampled By Turtles on one of the many social media sites I frequent, and I thought, what an interesting name for a band. Then, I saw them mentioned by several other people as being fantastic, so I figured I’d check them out; boy I am glad I did. When I first heard Alone, I was swooning so hard I knew I had to have more. The haunting vocals over banjo picking and soaring violins builds into an all out hoedown, one that I wish I could go to each and every night. I ended up listening to the entire album and loving it; although it is definitely routed in more southern, bluegrass driven folk than the previous two folk bands that are on this list. This was an excellent discovery that I am glad to have found thanks to the many friends that were talking about this awesome band. Thanks!! Highlights: Alone, Beautiful, High Water, Widower’s Heart.
9. Brandi Carlile – Bear Creek
If you are a fan of bands like the Indigo Girls, then Brandi Carlile is a no-brainer. I’ve loved this lady since her debut, The Story, which made my best of list waaay back in 2007, and followed her through her sophomore effort, Give Up The Ghost, which made my best of list in 2009. Needless to say, I was very excited to see a new album from her in 2012, and with the lead single That Wasn’t Me being one of her best efforts to date, I knew almost instantly that there would be another best of list Brandi would be a part of; and look a here, I was right. Her voice is so sharp that it could cut glass, and so delicate that it would pick up the pieces. Brandi’s songs tug at your heartstrings, and fill you with delight while inducing chills with her ability to take country folk down to the local church for a choir backed performance. This album is another shining example of a great artist making consistently great music, and it was one that I was glad to pick up in 2012. Highlights: That Wasn’t Me, A Promise To Keep, Hard Way Home, Save Part of Yourself.
And of course, other GREAT albums that I discovered in 2012 (some of which, just missed my best of list by a hair):
- Casey Abrams – Casey Abrams – Great solo album from one of my favorite Idol contestants that was clearly too talented to win the show. And he’s a cute ginger-bear!
- A Fine Frenzy – Pines – An album I was very excited to see released, only to sadly, not get into it. Maybe it will get it’s chance later on.
- Agnes – Veritas – Different, more mature record than her saccharine debut, but some great stuff on here, nonetheless.
- Fiona Apple – The Idler Wheel… – I adore Fiona, but I really didn’t get into this album. I was excited for it, but it never made it to the top of my list.
- Bat For Lashes – Haunted Man – The INCREDIBLE Laura made me long for this album, and when it finally came out, it was meh. What happened??
- fun. – Some Nights – The overplayed radio singles were great at first, but now I am bored; totally victims of too much airplay. Congrats on best new artist though!
- Gossip – A Joyful Noise – It would have been impossible to top their phenomenal major label debut, and well, it was. I still love Gossip, and want to actually see them live at some point.
- Carly Rae Jepsen – Kiss – Let’s all agree that Call Me Maybe was a phenomenon; one that she will probably never be able to acheive again. Hey, if you are going to be a one hit wonder, might as well make it a doozy! At least there are a few more pop treats to be had here, however.
- Michael Kiwanuka – Home Again – Great album full of sleepy, gorgeous folk. Great surprise.
- Macklemore and Ryan Lewis – The Heist – Not usually a fan of rap, they hooked me with the gay-friendly Same Love, and I came back for more with Thrift Shop. Also, could Macklemore be any cuter? Uh, no.
- Madonna – MDNA – There were a couple of good songs, and a bunch of terrible ones. I know it’s an unpopular opinion, especially amongst the blindly following gay boy fanatics, but Madonna is a pretty terrible writer; these songs have never been more trite.
- Maroon 5 – Overexposed – As usual, some great, but overplayed radio-ready hits, and some surprisingly even better ignored album tracks.
- Jon McLaughlin – Promising Promises – Promising, but didn’t resonate with me too strongly for some reason. Has a few songs from a previous album, and I just didn’t get to listen as much as I wanted, unfortunately.
- One Direction – Take Me Home – So NOW America wants to get on board with the British boyband craze? I love these guys, but they’ve got nothing on Westlife.
- Phillip Phillips – The World From The Side of The Moon – This is the season I decide to stop watching Idol. Nice. Great pick, and I love that he seems to be a very strong artist. Can’t get enough of his hit Home, either!!
- Joshua Radin – Underwater – I love this guy, and he makes the sweetest music.
- Emeli Sande – Our Version Of Events – Good thing she decided medical school wasn’t the way to go; she’s not only an incredible singer, but a great pop artist now!
- Scissor Sisters – Magic Hour – There is some good stuff here, however, and that’s a big however, they kinda lost me on this one; if they keep changing too much, nothing of the band that I fell in love with will remain.
- The Script – #3 – Their last album was so amazing, that I figured they wouldn’t be able to top it so soon; I was sadly right. Perhaps I will get more into it, but I didn’t love it as much as I did Science and Faith.
- The Shins – Port of Morrow – Good Shins album, solid; just not life changing.
- Silversun Pickups – Neck of the Woods – I feel like they lost A LOT of their oomph. This album is much more subdued, and honestly, lacks the fire they had before.
- Sleigh Bells – Reign of Terror – Great sophomore album, just not as edgy and fresh as their first.
- Taylor Swift – RED – Surprise! I like a Taylor Swift album. I am sort of, but not totally ashamed.
- The Ting Tings – Sounds From Nowheresville – Big changes, almost abandoning their quirk, but still fun nonetheless.
- Usher – Looking 4 Myself – It looks like he found himself on a dance floor, and I love to dance.
Well, here it is… finally. My favorite albums of 2012. What did I miss? I know I missed out on Mika, as I have been told, but what other albums did I forget to mention, or haven’t heard of yet? What do you think? What were your favorites of 2012? Can you think back that far? Sorry it took me so long to get this out, but it is better late than never… right? Alright, perhaps I should go ahead and start my 2013 best of list so that I could try and get it done on time…
Featured in the very first 5SF of the year, A Camp’s Stronger than Jesus was the song that I had been literally waiting on for years, and a song that would map out what I could expect from what turned out to be my favorite album of 2009. When I say I waited for it for years, what I mean, is that I was so hungry for something new from A Camp after falling so hard for their amazing self-titled debut album (which came out waaaaay back in 2001!), that I just couldn’t believe that my dream was coming true so early on in 2009; and what a wonderful dream it would turn out to be. The release of Colonia was like being embraced by a warm hug from a long-lost friend, or like snuggling under your favorite blanket on a cold winter’s day; it just feels good from beginning to end. Nina Persson is one of my all time favorite female vocalists and musicians, and what started out as a side project during hiatus time with the Cardigans, has clearly grown into something mature and amazing. Together with her husband and their fellow bandmate, A Camp has become something of a phenomenon for me, capturing my attention wholly and completely with their work. Their song writing ability is powerful and the imagery invoked is powerful. I knew very, very early on that it was going to take a lot to beat out this album for my top spot in 2009, and as you can clearly see, nothing did. For me, this is an album that should be talked about much more than it was/is, which is certainly a shame, because it is fantastic from beginning to end. There isn’t a single place where this album isn’t wonderful, and I am just so pleased that it turned out to be such a wonderful effort from A Camp; one that surprised me in how easily it surpasses the brilliance of their debut. While one of my favorite bands of all time, The Cardigans, may be on (seemingly indefinite) hiatus, I take comfort and joy in knowing that lead singer Nina Persson and A Camp soldier on, and are bringing me some of the best indie-pop music out there today. A Camp, please don’t wait so long to bring your brilliance to the table again, because after this incredible and delicious taste, it would just be cruel to leave us for so long again. Simply put; this album is incredibly amazing. Standout Tracks: Bear On The Beach, 
I have to say one thing first about Antony and the Johnsons before I get into their amazing album The Crying Light; you will either fall head over heels in love with them, or you will probably hate them completely. I will openly admit that I started off in the hate column with regards to Antony and the Johnsons, because honestly, I don’t think that I truly got it. It was curiosity that brought me to them, because of how many people were talking about them; but it took several listens to their previous album, I Am a Bird Now, before something changed within me, and I found myself strongly in the love column forevermore. I gave myself over to the truly emotive and fragile nature that is Antony and the Johnsons, and the process, I found something so nuanced and beautiful that I am thankful I allowed myself to enjoy it. With regards to their newest release, The Crying Light, I can say, with unwavering conviction that this album is purely, and utterly, perfect. From the amazingly vivid lyrics, to the achingly beautiful performances (both vocally and musically), there really isn’t anything that you could say negatively about this album; well, perhaps nothing other than it just isn’t long enough, because I just don’t want it to end. Listen after listen, I took in each tender, well crafted experience that each song created, and I found that this is definitely one of those albums that could be labeled as a true classic at some point in the future. This is how music SHOULD be made. It surprised me the first time I heard this album, because of just how amazing it really is. Another World, the pinnacle of the album, came in a first taste on the EP of the same name, and truly is an epic masterpiece of music. The rest of the album compliments it, and even builds upon its foundation of beauty, making this easily one of the best albums I heard in 2009. With The Crying Light, Antony and the Johnsons have honestly moved me with their music (and continue to do so with each listen); and that’s powerful stuff indeed. Standout Tracks: 
I will admit that in the beginning, I had a love/hate relationship with the Gossip. I wanted to love everything that they did, and I hated myself because I didn’t. It wasn’t until I saw the amazing live performance of Standing In The Way of Control that I got what Gossip was all about. Beth Ditto’s incredible vocals, backed by the emotive and hard hitting rock and roll sounds of the Gossip literally had me shaking my head, wondering why in the hell it took me so long to get on board; but it wasn’t until Music For Men that I totally committed to the power of the Gossip. With this album, they channeled Beth Ditto’s iconic vocals onto track after track of well polished, down and dirty, and masterful rock and roll. It’s hard to imagine that these guys aren’t having a good time while they make music like this, because when I hear it, it makes want to get up and dance until my legs fall off. When I listen to this album, I want to fucking ROCK. Overall, this album captured me, threw me in the trunk, and refused to release ransom demands, because there was no way it was going to let me go; and I am glad that it didn’t. This album made a huge splash with me in 2009, and it is one that continues to grow on me more and more with each listen; I literally, just cannot get enough of the Gossip’s Music For Men. Standout Tracks: Pop Goes the World, 8th Wonder, 
This was definitely “from out of left field” album discoveries for me. I was looking through recently released stuff on iTunes, and this crazy cover captured my attention, so I figured I’d give it a listen; and boy, I am glad I did. Miike Snow is comprised of Swedish MEGA producers Bloodshy and Avant (they did Britney’s Toxic, for one), along with American Andrew Wyatt; and together, I can definitely say, that they made one of the most brilliant albums of 2009. Slick production, catchy rhythms, and danceable beats made this one of my most enjoyable finds early on in 2009; and one that was so consistently good, that it stayed with me throughout the rest of the year. Miike Snow’s self titled debut is one of those albums that I was screaming about early on, and after a while it seemed like everyone started catching on to how amazing the album truly is. There truly isn’t a bad song on the album, and save one track (the more downtrodden Sylvia), I can say that I truly love every track on this record. This is a truly impressive debut album, but it should be no surprise; especially when you consider what these guys brought to the table to begin with. Standout Tracks: 
While their first single lacked the oomph I was was looking for, and did give me quick worry that it was a lackluster sign of what would be too quick of a follow up to their impressive debut, it did manage to grow on me quite quickly. As it grew on me, my anticipation for the forthcoming album grew, and it would be what followed the opening track that would be nothing short of pop perfection; Here Standing is hands down, one of the best songs of not only 2009, but one of the best pop songs I have heard in many, many years. Thankfully, it doesn’t stop there; as the album goes on, track after track, the pure, deliciousness of well made pop songs just keep coming. Even though it initially seemed that they had churned out another album “too soon”, what happened instead, was the Saturdays moved in and took the spot left open by Girls Aloud and the now defunct Sugababes; and in doing so they have taken the reigns of girl-group pop, and driven us to the next level. This album is FULL of singles, and it is was definitely a welcome addition to my music collection for 2009. While this is an album that I fully expect to see many more singles from, and one that (if given the proper chance), COULD be a possible crossover to the US for them, sadly, it will probably not happen as has been the case for most that have come before The Saturdays. However, it does make me feel better, that at least I was able to discover this gem, and share my glee and sheer delight for the Saturdays’ amazing contribution to pop music with Wordshaker, because pop music this good shouldn’t be missed; and if you stick with me, I will do my best to spread the word to all of you. If this album is any signal as to where the Saturdays are headed next, I think we can safely say that we should have known all along, because they told us back with their second single; they were going UP! Standout Tracks: 
Silversun Pickups really remind me of high school a lot, in that their music reminds me of the way that I felt when I first truly knew that I loved music. Much like the way early Smashing Pumpkins got me into alternative rock, the Silversun Pickups picked up that torch and keep the race going for me when I first heard their insanely good debut, Carnavas. Naturally, when I found out they were releasing a new album last year, I was bouncing around with excitement, and after hearing Swoon, I have to say, that Silversun Pickups really outdid themselves with this album. From the insane distortion-love-fest that is There’s No Secrets This Year (which, in my opinion, may be their best song to date), to the incredible lead single, Panic Switch, and throughout the rest of Swoon, Silversun Pickups proved that they were not going to settle for a sophomore slump; in fact, I more than happy to proclaim that Swoon soars above their debut. While I don’t really understand the ways in which they chose people for the “best new artist” category for the Grammys (for which Swoon got them nominated), it doesn’t surprise me in the least the Swoon managed to get Silversun Pickups on a lot of people’s radar this year, because this truly amazing band is making some fantastic music that MUST be heard, shared, and enjoyed. This is one of those albums that is perfect to put on when you are driving around, and want to just rock out; and that is just what I did many, many times last year (and continue to do now!). I am so glad that Swoon turned out to be as amazing of an album as it is, because it really builds on the taste that Cavarnas alluded to, and just how amazing and talented the Silversun Pickups turned out to be. Standout Tracks: There’s No Secrets This Year, 
What can I say about Mat Kearney other than he’s just simply wonderful? After falling pretty much head over heels for him with his “debut” (I use quotations, because it was more aptly described as his major label debut) Nothing Left To Lose, I was more than excited when I found out he would finally be releasing a follow up earlier last year. When I heard the lead single, Closer to Love, I became even more excited for the album, because it is definitely one of his best songs to date. When I finally got City of Black and White, I realized that it was worth the wait; Mat has grown as an artist, and taken something that he did so well before, and transformed it into something simply amazing on this new CD. From his heartfelt vocals, sweet rhythms, and rhymes woven throughout each track, and the way in which he melds rock and roll with a twinge of hip hop, City of Black and White is a truly wonderful collection of songs that show just how talented of a musician Mat really is. The cherry on top for me, was seeing Mat live again last year, and as he was the first time I saw him, he was practically flawless. This is one of those musicians that I will always be on the lookout for, because of just how consistently amazing his music has proven to be; with this most recent release being certainly no exception. Standout Tracks: 
This album’s lead single was certainly an appropriately titled track; Bomb in a Birdcage was certainly one that would blow me away in 2009. I never really gelled with A Fine Frenzy’s first album, but once I gained a true appreciation of the aforementioned lead singleBlow Away, something told me to pay closer attention to her upcoming release. What I found, was an amazing album that captured my attention like she had never done before, and I found myself loving this album so much more than I was expecting. From beginning to end, A Fine Frenzy has created a beautiful, upbeat, catchy, and down right amazing pop album; one that I just can’t seem to get enough listens of. If you have been reading this blog for any amount of time, you should know by now that I am a sucker for a female piano-driven pop artist, and Allison Sudol (aka A Fine Frenzy) has solidified herself as one of my favorites with the release of the amazing Bomb in a Birdcage. The songs are so well written, both lyrically as well as the layered and beautiful arrangements, and I with each new listen, I actually find something new in each track that makes me love it more. There isn’t a misstep in sight with this album, which is fantastic from beginning to end. I am glad that I sat up and paid more attention this time around, because missing out on this album would certainly be a tragedy. I really can’t say it enough: A Fine Frenzy’s Bomb in a Birdcage is magnificent and it will blow you away, just like it did to me! Standout Tracks: Swan Song, 
So if there was any doubt in the lead up to Lady GaGa taking the throne as the next big thing in pop music, she pretty much put the death nell in that notion with the release of The Fame Monster. While it started out as only an 8 track “addendum” to her debut album released in 2008 year, The Fame, GaGa fought the music moguls and won the right to have The Fame Monster released as a separate album in 2009 (along with it being packaged with The Fame in the deluxe edition). However, regardless if it was an add on or not isn’t an issue, as with Monster, GaGa takes her innovative brand of pop and pushes it to the next level. From the insanely catchy, RA-RA’s of Bad Romance, all of the way through to the innovatively amazing album closer Teeth, GaGa just shows that not only is she not going away any time soon, but she plans to up the ante while she’s got our attention. On this album, I feel like GaGa has shared a lot more of herself; giving more raw performances with each track, matching her live show much more closely than ever before. Speaking of the album’s lead single, Bad Romance, GaGa also upped the ante on her equally innovative performance art, and released what many will agree was the one of the best music videos of the decade. Certainly she must be tired, because based on the consistent quality of her trail blazing take on the pop music scene, GaGa is only setting the bar higher and higher for her pop peers and herself; and she doesn’t appear to be slowing down any time soon. For me, The Fame Monster solidifies GaGa as one of the biggest (and best) things to happen to pop music in over a decade; and if this is any indication of the future, I expect to see a lot more GaGa, and I can’t wait. Standout Tracks: 
The first time I heard the MASSIVE single Sleepyhead, I was instantly sitting there wondering to myself just where in the hell this amazingness came from. There have been tons of indie pop groups out there shovelling similar stuff down our throats for years, but never had I heard something as catchy as the amazing Sleepyhead. Well, several months later, they released the follow up track, The Reeling, which would be the lead single for their proper first album, Manners, to be released early in 2009. Needless to say, I realized I had stumbled very early on to something amazing, and I just couldn’t wait to get my hands on the then upcoming Passion Pit debut album. When Manners finally came out, what I got was nothing short of fantastic, and I instantly fell for this amazing indie-pop concoction. While Sleepyhead is still my favorite, there are many tracks on the album that make me wonder why these guys are more popular than they are; they really know what they are doing, and have made a pretty fucking amazing debut album. I am so glad that I found this one in 2009; it really deserves to be on a shitload of best of 2009 lists, and I know that I would have been kicking myself if I had missed out on this gem (and thankfully, I didn’t!). Standout Tracks: 
William Fitzsimmons falls into a category of artists that I have randomly discovered by beard; that is, I saw a picture of the artist (who has a beard), and thought to myself, “hmm… I must check this guy out” (because, well, I love a guy with a beard). Well, as with many other artists I have discovered by the way of the beard, I am glad that I did check William’s music out, because it is incredible. Much like fellow album favorite list member, Hayden, William is an amazing folk musician. William is decidedly more delicate and more quiet and relaxed than most of his folk peers, but the result is an album filled to the brim with delicate and intricately crafted songs about love, longing, and loss; all of which completely captured my ears and my heart. He also does incredibly right by pairing his beautiful voice with female vocals on the track I Don’t Feel It Anymore (Song of the Sparrow), making it one of my favorites on the album (William has a habit of pairing with great female vocalists; he paired Rosi Golan on her amazing track Hazy, from her (also amazing) album The Drifter and the Gypsy). Overall, if I could describe this album with three words, they would be tender, heartfelt, and beautiful. William may have drawn my attention initially with his looks and his beard, but he captured my heart with his beautiful music. This album is a collection of truly perfect folk songs; songs that are delightful, and peacefully wonderful to listen to. Standout Tracks: Please Forgive Me (Song of the Crow), Maybe Be Alright,
Definitely one of the more “out there” choices on my favorites list this year, Bat For Lashes certainly backs up her status as an alternative artist. She does her best to throw out anything formulaic and embraces the strange and unusual (to quote 
Finding this album was one of those incredibly rare times when you stumble so blindly on something so beautiful, well made, and down right amazing, that you almost can’t believe that you found it the way you did. Specifically, it was the beautiful album art that drew my attention, but after one listen, it was the music behind that cover that really blew me away. To say that I wasn’t prepared for what Taller Children held upon my first listen is a major understatement. Elizabeth and the Catapult have mastered the realm of pop music that is perhaps my most favorite (the piano-driven singer-songwriter side), and in making this album, have given me a new group to seek out and cling to each thing that they offer from this moment on. From delicate, and expertly crafted perfection of songs like Apathy, to incredibly delightful upbeat melodies and downright dancehall fun of songs like Complimentary Me and Race You, Taller Children is a journey through what I consider to be the best thing about music. The album is a delightful listen from beginning to end, and nary a misstep occurs from the moment they begin. What’s also great about this fantastic record, is that it actually picks up steam, and manages to get better on through till the end. This album was a massive find in 2009, and one that I won’t be putting away any time soon. In fact, one of my biggest regrets of 2009 was missing their concert; I hope that I can remedy this misstep in 2010. Standout Tracks: Apathy, 
While I will admit that this album didn’t resonate quite as strongly with me as his previous effort (and 
As much as I loved Lily’s wonderful debut, Alright Still, I had a bit of worry about her follow up the first time I heard the lead single, The Fear. While I really liked it, I felt it was a more electronic, and decidedly more dance-y direction for her to take, and I while I did like it, I was worried Lily may have lost her edge. Well, my fear (ha!) was quickly quelled once I had a proper listen of the whole album, as what I heard was classic Lily, and quite fantastic throughout. The jaded lyrics, sung by her sweet voice, mixed with delightful melodies and arrangements made this a great album I definitely enjoyed through most of 2009. While she certainly took some different directions with this album, and relied on familiar melodies and several of the sounds of the music of yesterday (the intro to Fuck You is practically note for note the Carpenters (They Long To Be) Close To You), I think that she was able to put enough of a fresh spin on each track that she made it her own. Perhaps most of all, I have to applaud the fact that Lily always tells it like it is, and whether she’s condemning a less-than-there lover, or slamming a horrible previous US president, one thing is for sure; she certainly knows her way around a clever lyric, and is no stranger to delivering her delightful brand of vicious wit without batting an eyelash. I will note, that it is practically criminal that she didn’t include the amazing B-side Fag Hag on this album, as it would have clearly been the biggest standout favorite for me. Standout Tracks: He Wasn’t There, Chinese, 
Matthew’s stripped down, beautiful acoustic folk-rock really took me be surprise; when I stumbled on his song, Easily Bruised, I really wasn’t expecting to find an entire album that was so equally wonderful. Vocally, Matthew bears some similarities to Ryan Adams, Bob Dylan, and Bruce Springsteen, yet he crafts his own tender precision with each song on Ghost Notes. Matthew’s musical style blends the delicate elements of folk, peppered with hints of a country twinge throughout the album; which, combined with the beautiful imagery in his lyrics, makes Ghost Notes a truly beautiful collection of songs. I think that it is his stripped down side that highlights his talent best, as some of the slowest, and most delicate songs on the album are above and beyond his best; such as the amazing track, and perhaps my favorite from the album, Where the River Bends. I will say right again, that this album was a pleasant surprise, and a great random find for me this year; I am more than pleased I heard it, as I knew right away it would definitely be amongst my favorites from this year… and as you can see, it certainly is. Standout Tracks: 
I first became aware of the Dutch singer Anouk when I heard her amazing song Lost a year or so ago; but it wasn’t until For Bitter or Worse that I can actually say that I truly got into her music. I noticed that she was releasing a new album this year, and after hearing the AMAZING lead single, Three Days in a Row, and the sheer vocal talent that she effortlessly throws about in that song (especially the incredibly crescendo at 3:16 seconds… um, can I get a WOW?), I knew I had to do myself a favor, check out the rest of this album. I’m glad that I did, because overall, For Bitter or Worse is fantastic. Anouk’s strongest attribute is her gritty, impressive voice, but she also weaves beautiful melodies with well written lyrics throughout the album, and together, they make for a truly weathered and very professional sounding rock album. After hearing this album for the first time, the only question I was left with, was WHY on earth is this woman not massively famous in the United States; or even globally, for that matter? Talent is clearly not the issue here (that voice!), and as such, it is certainly a wonder as to why Anouk isn’t more of a household name outside of her home country; she makes music that is nothing short of impressive. Regardless of how famous she ends up being here in the States, I can tell you one thing; with this album, she has definitely made a fan out of me. Standout Tracks: Lay It Down, 
I fell in love with Peter Bjorn and John with their amazing album Writer’s Block. After hearing their new single, Nothing to Worry About, I was worried if that love would continue for their new album, because the song actually annoyed me at first. However, once I heard the song a few times, I found the PB and J in it that I loved, and I slowly, but surely came around. With the release of Living Thing, I will admit, that I wasn’t sold at first; missing this time, were the clever whistling and the insanely catchy indie pop that filled Writer’s Block, and in their place, was a noticeably harder, and more experimental edge to each song. However, much like the first single, I slowly came around, and ended up finding the root of Peter Bjorn and John at the heart of the album, and liking it as well. A few of the songs, like It Don’t Move Me, I got into instantly, because they are completely and utterly brilliant; and highlight just how talented Peter Bjorn and John are. It just goes to show, that there are bands out there that are capable of so much, that you never know what piece of their seemingly endless spectrum they are going to show you; and with Living Thing, Peter Bjorn and John have shown that they are definitely one of those bands. Standout Tracks: 
I’m going to start by saying how glad I am that Jack took a different direction for his aptly titled sophomore album, Everything Is New. While I enjoyed some of the rockabilly style he harnessed on his debut, it is definitely the more pop sensible Jack that I prefer. With this album, Jack focuses his effort on building true orchestrations, and in doing so, crafts elegant and grandiose pop arrangements on practically every track. While it is what many would consider a short album, clocking in at just shy of 34 minutes with 9 tracks, Jack has shown a great attention to detail this time around, and avoids the pitfall of having each song sound incredibly similar to the one that preceded it (as was the case with most of his debut). The elegance and beauty on this album highlights a really talented pop musician; one who has learned how to better utilize his rock and roll roots. For me, the deep (and at times, playful) beats, the horns, and the recorded-in-a-concert-hall feel that practically every track as to it, coupled with Jack’s tender, yet earnest vocals, make this album an enjoyable listening experience throughout. Standout Tracks: 
When I first heard Don’t Upset the Rhythm, I knew instantly that I had something to look forward to this year from The Noisettes. What followed, was the impressive Wild Young Hearts, an album that highlights not only a talented vocalist, but a band that draws on classic elements and playful melodies. The impressive and beautiful voice of Shingai Shoniwa will have you thinking you are listening to something straight out of 50s or 60s Motown, but the blaring guitars and thumping drum beats will remind you that you are actually hearing something fresh in 2009. This album follows the trend that Amy Winehouse reinvigorated with her 2007 effort, Back to Black, and continues the revitalization of that throwback sound today. What I loved most about this album, was the familiarity that permeated many of the tracks; like how parts of Never Forget You have a musical similarity to the theme song to Laverne and Shirley. While I fell instantly for the lead single, and quickly hopped on board with continued love for the album upon its release, I would definitely have to say that this is one of those albums that I should have spent a little more time with this year. Standout Tracks: Don’t Upset the Rhythm, Atticus, 
Starting off with the massive single, My Life Would Suck Without You, Kelly’s fourth album starts strong, and offers a much more radio-friendly album than her previous effort. Kelly’s voice is better than ever, and she soars in and out of rock-heavy break up anthems, and reigns it in for the tender ballads. Overall, the Kelly Clarkson that I fell for with Breakaway is back, and it is almost like the lackluster album between these two albums never happened. Kelly rightfully claimed a lot of chart success this year, and given the number of strong single-ready tracks left on All I Ever Wanted, I suspect that she will keep going strong in 2010 with the momentum off of this album. My only negative critique of this album concerns the tracks that fill the middle of the album, and distract away from the clearly superior, clearly single-worthy tracks. While these tracks can certainly be blamed for dragging Kelly down on my favorites list this year, I’m just glad that the chart-dominating Kelly Clarkson is back. Standout Tracks: