Perhaps one of the catchiest records I have heard in many, many years, Mika’s debut album, Life in Cartoon Motion
Channeling a little bit of Freddy Mercury, and banging his heart out on the piano, Mika truly performs the shit out of some amazing songs on his debut. Not only that, he portrays this passion that is so refreshing to hear from someone so “new” to the scene, as well as from someone so young. Given his pop-electro sound, and his flamboyant style, it is no wonder that Mika was so popular with the gays this year, regardless of his own sexuality (which he has yet to state as one thing or another).
I was lucky enough to see Mika live this year, and I have to say, that if I had ANY doubt about his talent, and his ability as a musician before that show, it was solidly blown away by the time the curtain came down. Mika is one of those amazingly strong performers that really can stand out as a strong and charismatic solo singer. Couple that with the powerful voice, and those catchy as hell pop songs, and you have yourself a record chock full of fun, over the top pop hits. Life in Cartoon Motion
I am glad that was exposed to the amazingness that is Mika early on (even before his record dropped in the US!), and I have have been a huge fan ever since. This is one of those records that you can just pop in the CD player, and have a damn good time listening to. It is a feel good, amazingly produced pop record, and it definitely deserves a spot near the top of my list; and so here it is! It really gets me anxious to think, that if Mika can deliver a debut record as amazing as this one is, what he is capable of in the future. I can definitely say, that he has got my full, and undivided attention.
Favorites from Life in Cartoon Motion:
My Interpretation
[audio:http://www.duanemoody.com/audio/mika-myinterpretation.mp3]
Any Other World
[audio:http://www.duanemoody.com/audio/mika-anyotherworld.mp3]
Grace Kelly
[audio:http://www.duanemoody.com/audio/mika-gracekelly.mp3]
Happy Ending, Love Today, and Big Girls (You Are Beautiful). (click the links for youtube videos!)
Rating: 
I should start by saying that I had never heard of Aqualung before this year, and it was only when I was invited to a concert by some friends of mine, that I had even heard a mention of the group. I agreed to go because Sara Bareilles was opening for them, and I always jump at the chance to see Sara live. Little did I know, that I would totally fall in love with Aqualung at the show; the performance knocked my socks off, and I knew that I wanted to hear more from this great artist. After the show, I went out and picked up their most recent release, 
only to have it also knock my socks off too, as well as to cement itself amongst my top records of the year. 
Now, let’s get to my number 10 selection, the AMAZING second album by the pop/rock outfit Paramore, 
Paramore fall into that category of groups that I had never heard of, but because they were mentioned somewhere, I felt compelled to check them out; and I have to say, I have damn good instincts. From the first energetic riff on their CD 
In at number 11 on this year’s list, is the fourth solo album by the amazing Scottish diva, Annie Lennox, entitled 
Being a fan of Annie Lennox for as long as I can remember definitely plays into how much I enjoyed this record, but even without a prior following, this record is totally brilliant. Annie comes back to us after her last raw effort, Bare, and this time, she has something that has been bugging her, and somethings that she needs to get off of her chest. She is clearly upset with the way things are going in the world with regards to war, poverty, AIDS, and women’s rights, and as such, these topics permeate many of the heartfelt songs on 
In at number 12 on my year end list, is the self titled debut record by 
This is one of those records that you listen to, and think, well, isn’t this just a swell record? You get images of Wally and the Beav, and think about picnics in the park on a quaint 60s afternoon… and then you listen to the lyrics. You quickly realize that underneath those airy, sweet, and innocent vocals, Inara Gorge is telling you like it is; and that often includes lyrics about violence, irritations in her life, and of course fucked up boyfriends.
Those songs compliment the debut album, and really show that they are moving forward with making their own great music; for which I am grateful to have discovered. Specifically, one of the songs on that EP (
Now here is an album that no doubt will be in most of the “best of” album lists this year, and the reason is simple, it is a flawless record. There is no denying it; Amy Winehouse is an amazingly talented artist, and her retro-smoky voice is just the best thing to happen to hip-hop infused jazz in a long time. Couple her raw talent with top notch production, and hot as hell songs like Rehab and Tears Dry on Their Own, and you are bound to have a winner; and that is exactly what 
is. 
I am sure that more than a few of you are surprised by this next pick, the Kaiser Chief’s second album, 
I will admit that I didn’t expect their album to strike me in quite the way it did when I first heard the single Ruby, but after a few listens, I had to pick up the album. Upon my initial listen, I was not only impressed, but I was surprised at how much they reminded me of Blur, who happen to be one of my all time favorite groups. Admittedly, they aren’t always as quirky as Blur can be, but they definitely have similar rock sensibilities that made me fall so deeply in love with Blur. 
Appearing as the final four star rated album of this year, Shayne Ward’s newest CD 
makes the second time Shayne has made my year end list. His new CD makes this year’s list for much the same reason his debut did last year; but there is something distinctly different about his new record. The difference, is that his new album is much better than his debut was; mainly because of the over-reliance on covers on his debut. While I am a fan of a cover song done correctly (No Promises was a great cover from Shayne), too many covers just seems like wasted potential; because this guy can really sing, and it really begs you to wonder why the producers behind him don’t give him the opportunity to sing some “original” stuff that he could truly make his own. Fortunately, that is exactly what he gets to do this time around, and the result is an album chock full of polished pop anthems, ballads, and club ready dance tracks. 
Nicole Atkins was an amazingly unexpected, but fantastic, discovery for me. I went to see one of my favorite girl groups, The Pipettes, in concert, and after a not-so-great opening act, they announced that the next opening act would be Nicole Atkins. I had never heard of her before that moment, but that would quickly change, and I am thankful that it did. 
in a more polished form. She has some stories to tell, and you really get the sense that she has been around and unfortunately, has had some love and loss. I think that the slight raspy quality of her voice really allows you to feel the ache that she feels. I also love how she often borders on dramatics in her vocal play, and the effect really gives you sense of drama, love, and loss; all while keeping you entertained and enthralled by her performance. All of this “depressing” nature is still, however, kept upbeat by her rock-and-roll sensibilities, and the result is one of those records that you fall for, and love throughout (as I did). Nicole is definitely a fantastic artist, and this CD stands out among the others that I have loved this year. The only reason that it didn’t land amongst the top records of the year for me, unfortunately, is because I found out about it so late in the year (it came out at the end of October), and I haven’t had enough time to truly explore and enjoy the intricate nuances of Nicole’s sound.