After not feeling up to it last week, I am back with your regularly scheduled five song Friday. Rejoice, children. Rejoice. Now, let’s go ahead and get started, shall we?
Brandi Carlile – Dreams
[audio:http://www.duanemoody.com/audio/fsf_828_brandicarlile-dreams.mp3]
After I first heard Brandi’s sophomore album, The Story, I knew I had stumbled onto something truly outstanding. She has a very weathered and experienced quality to her voice, which is surprising when you see how young and stunningly beautiful she is. Well, I hadn’t thought about her in a while (mostly because it’s been more than two years since The Story was released), and I happened to re-discover The Story a few weeks ago. After listening, I naturally checked in to see what was going on with her, and low and behold, she has a new album coming out in October! To add to that good news, I found that the lead single, Dreams, was available on iTunes, and it is quite fantastic. What do you think? I am definitely looking forward to Brandi’s upcoming third album.
Kate Earl – Melody
[audio:http://www.duanemoody.com/audio/fsf_828_kateearl-melody.mp3]
This song was offered as the free track on iTunes last week, and I found myself really liking the chorus, so I downloaded it. Then, I listened a few times, and I find myself liking the whole song as well. I love Kate’s sweet voice, and I can tell there is some power in there waiting to be belted out. This was a great offering from iTunes, and one I am happy to share. I do have to say, that I hope that Kate doesn’t turn into a Colbie Callait for me though; I liked her at first too, and now I can’t stand her. Here’s hoping that doesn’t happen.
Everything But The Girl – Walking Wounded
[audio:http://www.duanemoody.com/audio/fsf_828_ebtg-walkingwounded.mp3]
This is one of the best songs of all time, in my honest opinion. The rich melody, the entrancing beat, the backing sound effects, and MOST OF ALL, Tracey Thorn’s amazing vocal all come together to make this a masterpiece of drum and bass. I fell in love with Everything But the Girl when they decided to go down the electronic route with Missing, and I loved most of their work that came after it. Walking Wounded was a massive record for me near the end of High School, and it really made me into a lover of electro music. I especially love really, really well done drum and bass, and this is a shining example of when it is done right, it can be amazing. Everything about this song is fantastic, including the great writing, and the imagery that is conjured by it. To me, this song is just perfect, and when recently stumbled back onto it, I decided that I wanted to throw some well deserved attention at it, and get it on a 5SF.
The Sounds – No One Sleeps When I’m Awake
[audio:http://www.duanemoody.com/audio/fsf_828_thesounds-noonesleepswhenimawake.mp3]
When I first heard this song, I didn’t like it. In fact, the first time I heard of the Sounds, I didn’t like them either. While I am still not really feeling the rest of the new album, Crossing the Rubicon, I have fallen head over heels in love with this upbeat pop-rock track. The backing melody, and the way in which they harmonize her screeching vocal with the distortion of the guitar is just brilliant. While I may never have the love that so many do for the Sounds, don’t worry, we can both relish the fact that at least we will have this song to share.
Pete Yorn and Scarlett Johansson – Relator
[audio:http://www.duanemoody.com/audio/fsf_828_peteyornscarjo-relator.mp3]
I’ll be the first to state that I wasn’t at all interested in Scarlett Johansson’s first foray into music; in fact, I the only thing I got from it was a laugh, because of so many people saying it as the worst record they’d ever heard. However, my interest has been significantly risen with her most recent musical adventure; her new collaboration with Pete Yorn is AMAZING. This song is a brilliant duet, and highlights the fact that she does indeed have a brilliant singing voice. Pete Yorn did her a major favor by teaming up with her, and gives her real street cred as a singer this time around (not saying she didn’t have it before, but as I said, I didn’t even pay attention before now). I have given their new album Breakup a listen, and it has a lot of the same alt-country, pop rock feel of She and Him’s Volume One. Overall, it’s a pretty decent record, and I suspect that they will make some new fans by releasing it. I’m glad she didn’t let the “haters” stop her from singing, because she has found her niche with the help of Yorn. Good for your Scarlett (and you too Pete!)!
Again, sorry for leaving you without a post for last week, and no explanation. That was just bad, and I do feel bad for letting you down. However, we have to move forward, so let me know what you thought of this week’s selection, and as always, let me in on what you have been listening to!
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Back in 2006, Daughtry’s self-titled debut ended up making my 
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My love for Joshua Radin began when I heard his tear-inducing track, Today. Since that time, he released an album, which ended up making my year end list in 2008. This song came back up recently on a session of shuffle, and I fell back in love with it; even more so than the first time. I love Joshua’s style of acoustic rock, and his lyrics completely make me weak in the knees. Definitely an artist I will continue to watch from now on.
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This is the first single from Mika’s hotly anticipated follow up to his amazing debut, Life in Cartoon Motion. I saw lots of “eh” feelings on the blogosphere about this track before I got around to listening to it, and honestly, I couldn’t disagree more. The song has Mika’s trademark vocals, great pop sensibility, and an upbeat and happy nature that makes it unmistakably Mika. It sounds like he has had some more time to “craft” this next album, and is obviously up for taking some chances (the intricate layers and use backing multi-instruments) that he didn’t fully explore on his debut. Overall, the track is extremely catchy, and I think it is even more polished for radio than anything he has done before. Perhaps Mika is going a bit more “mainstream” with his brand of pop, but that doesn’t really bother me, because with We Are Golden, he is proving that he can do that, AND stick to what made me a fan of his in the first place; making great pop music. 
Not too long ago, I wrote a tweet that stated the words “feat. Kanye West” meant that I would instantly skip a song. I have seriously ODed on Kanye, and I am tired of him, and even more tired of his droning form of “rap”, that lately seems to do more mucking up otherwise brilliant pop songs (see Keri Hilson’s Knock Me Down) than adding anything worthwhile at all. So imagine my surprise when I loved this track after finally hearing it. One very notable exception to my aforementioned beef with Kanye is his participation in this track; he actually sings, and it doesn’t distract away from Hudon’s brilliant pop track, and it doesn’t do what Kanye has proven himself so good at; completely taking the spotlight from Hudson and putting it on himself. I will give credit where credit is due, and say that it was my buddy 
I love Muse. I think that they are one of those bands that are crazy amazing, and should be on the tip of everyone’s tongue, but for some reason, they aren’t. I first heard them a few years ago when I stumbled on their release “Black Holes and Revelations”, and my only disappointment with that album, was to have discovered a full year after it was released (because it would have topped my year end list; it is completely flawless). Well, I have been waiting for a new album for Muse since I fell in love with that album, and it appears that my wait is almost over. After hearing this song, and reading what others are saying about the resemblance to Queen, I must say, that while I do hear it, I think that Muse definitely have their signature woven deeply throughout the track. They take an influence and turn it into their own epic rock opera. I also particularly love the almost Bollywood flair of the backing orchestrations, and the ending which takes you back to a Victorian palour where someone is sitting and playing a peaceful sonata. I expected that Muse’s new album would be amazing whenever it came out, and after hearing this first song from that record, I am even more excited for it to be released this fall. 
I may alienate some of you with this one, because it is a VERY country song, but there is something about Kellie Pickler that I just adore, and when this song came up recently while my ipod was on shuffle, it gave me chills. The way that she gently eases into the chorus where she cries out that she just wants someone to love her, just grabbed hold of my heart and wouldn’t let go. I am a sucker for deep sentiment that comes in small packages, and this song is definitely an amazing example. The feeling and emotion in this song is echoed with her beautiful vocal, and it really forces me to constantly reconsider my “ban” on most things country (I ignore at lot of it, but admittedly, not all of it, and Kelly is firmly in the “do not block” column). Regardless if you like country or not, there is no denying the tender beauty that permeates every second of this song. 
This song reminds me a lot of other male/female folk-rock collaborations like She & Him, the Weepies, and the amazing pairing of Ben Gibbons and Fiest on The Train Song (which I posted a few months back). I love the sweet and tender vocals of the man and the woman, and the sweet melody and arrangement of the song makes for a delightfully fantastic pop song. I heard this song after seeing the SUPER CUTE video, and I knew that I wanted to hear more from the Eulogies. After checking out their recent release, Here Anonymous (from which this song comes), I was really pleased to have found another fantastic album that will probably end up somewhere on my year end best of list. Also, when I saw the video, I knew that recognized the beautiful female vocalist; she’s none other than fellow label mate, Nikki Monninger from the AMAZING Silversun Pickups. I just love when great musicians come together and make beautiful music, and this great track is certainly no exception. 